Mind Control, Movies & Hollywood

[Alpha]

Does the big screen, the Hollywood glitz and glam, BIG media either in print or on screen precondition us for what is to come, what really is....well consider this and do think about it. With the plethora of the movies in our remembered past and with the 2nd debut of the Manchurian Candidate, White Noise...perhaps this bears some thought and discussion.

From: www.whale.to

Movie makers

ABC under the auspices of Disney produced a lengthy 140 min. film Wild Palms which depicts Illuminati mind-control and life.

One reader of Vol. 2 stated that the Wild Palms movie would have made no sense except that having read the Vol. 2 book, the movie made lots of sense in the light of Vol. 2’s revelations.

The film depicts how children are kidnapped, switched at birth, programmed via TV cartoons, programmed to kill and use stun guns etc.

The film depicts Illuminati bloodlines and arranged marriages. Although the name Illuminati" is not used, if viewers substitute in the name "the Fathers" for Illuminati fathers, they will get an insider’s view of life at the top.

The main controllers are addressed by their slaves as "Papa" or "Daddy" or "Mother". This is true to life. A person opposed to the Fathers states, "One day we will wake up and discover we don’t own this country and no one will care."

The movie states that events are not happening randomly.

The movie shows an underground tunnel system which has an entrance hidden by a swimming pool.

Quite a few actual programming codes were said during the film, for instance, "down, down, down through the pool of tears..." and "we’re going to go down the yellow brick road now."

The movie was created by Bruce Wagner, who obviously is an insider concerning trauma-based total mind-control.

The fact the movie was made shows the arrogance of the programmers’ beliefs that their criminal acts in programming thousands of little children will not be exposed, and that people will be too stupid to realize that what is put out as fiction is actually mirroring what is happening.

Deeper Insights into the Illuminati Formula (http://www.whale.to/b/sp/springmeier.html)

H.G. Wells, one of their Fabian Socialist-Masonic-Illuminati prophets, in his film “Things to Come” made in the late 1930’s, shows delta-winged planes (resembling stealth fighter-bombers) flying over Iraq’s oil fields to bomb. Springmeier's Take (http://www.whale.to/b/sp/f7.html)

Suspect Zero The Director (Suspect Zero) has been a popular favorite of satanists such as Marilyn Manson who had him direct its 1996 video "Anti-Christ Superstar".

The primary consultant on the movie was long-time spookster Ed Dames - the CIA's idiot poster child of modern remote viewing.

Even the military industrial/intelligence state of New Mexico kicked in $7.5 million to the cause of demonizing remote viewing by funding the movie.

Scientologist Tom Cruise continued his efforts to suppress human evolution by co-producing the film.

In the 2002 Spielberg movie "Minority Report" criminals are caught before they commit crimes.

The crimes are seen by people with pre-cognitive abilities called PreCogs.

Cruise plays an officer in the special Precog unit and is accused of one such crime and sets out to prove his innocence. Cruise saves the day and the Precogs are liberated from having to use their abilities and allowed to live a normal life - the message being that pre-cognition is a bad thing.
More on Suspect Zero (http://www.whale.to/b/rv4.html)

Much more to follow...... :saber:

[Shecoda]

It is interesting how Hollywood presents scenarios and then later there seems to be some truth to them. I neever could figure out if people write scripts from the Collective Consciousness, somehow picking up on things we know subconsciously are happening, or produce shows that somehow place these scenarios in the Col. Con., so therefore we begin to create them.

Don't you just love philosophic-existential musings?

[Captain Beyond]

My own observation is that as strange as it seems,the events that take place here in this physically dense plane,do occur first in the higher astral planes where time does not exist.

When people tap into some future event via precognition,dreams etc.,they are merely accessing the higher realms of existance where the events have already occured.

The creative mind,as in writers,often has the ability to tap into this higher plane and extract certain ideas and concepts.Those who are very creative,often have this ability,much as some of our most visionary inventors did have.When we are in the creative mode of awareness,we lose our attachements with this physical world,and can often tap into the"collective consciousness",or higher planes of existance.

CB

[Shecoda]

This falls in with what I also believe, but there are several events we could choose at any moment that could take us in any number of directions. The future is in flux and is never set as it depends on myriads of decisions, both personal and collectively. Therefore I still ask the question. Do writers and producers tap into a collective thing that then directs the directions we go in as a race (human) or does the writer tap into the most likely scenario to put it in the coll. con. so we move in that direction?

[nightcat]

The creative mind,as in writers,often has the ability to tap into this higher plane and extract certain ideas and concepts.Those who are very creative,often have this ability,much as some of our most visionary inventors did have.When we are in the creative mode of awareness,we lose our attachements with this physical world,and can often tap into the"collective consciousness",or higher planes of existance.CB

As a great appreciator of the fine art of song crafting, it's immediately obvious to me whether music I'm listening to has come from this higher plane of existence or not. Songs work on our highest level of perception; the part of our minds that we use for remote viewing and that gives us significant dreams is also the part we use in creating and in listening to music. The best songs, of course, come through songwriters with great ability to tap into the collective consciousness as they write - this is true channeling! - but even they have to meet deadlines sometimes and, to meet them, will hammer out material that, while theoretically as well-crafted as the "otherworldly" inspired things, lacks that hard-to-define spark, that x-factor, that their best songs have. I can spot these right away and they're the songs that always get my finger tapping... on the "skip" button, that is.

Jeff Tweedy, the leader of one of my favorite bands, Wilco, wrote in 2000 a very achingly beautiful song called "Jesus, etc.". This ineffably sad, haunting song was recorded for an album that, due to legal hangups, wasn't released until spring 2002 but the film "I Am Trying To Break Your Heart" documents that the song was written/recorded well before the events of September 11, 2001.

Tweedy wrote these lyrics inspired by images from the higher levels of consciousness, the part of existence which knows no time, in what was, effectively, an unintentional remote viewing of that day as the buildings came down:

"Jesus, etc."
-Jeff Tweedy

Jesus, don't cry
You can rely on me honey
You can combine anything you want

I'll be around
You were right about the stars
Each one is a setting sun

Tall buildings shake
Voices escape singing sad sad songs
Tuned to chords strung down your cheeks
Bitter melodies turning your orbit around

Don't cry
You can rely on me honey
You can come by any time you want

I'll be around
You were right about the stars
Each one is a setting sun

Tall buildings shake
Voices escape singing sad sad songs
Tuned to chords strung down your cheeks
Bitter melodies turning your orbit around

Voices whine
Skyscrapers are scraping together
Your voice is smoking
Last cigarettes are all you can get
Turning your orbit around

Our love
Our love
Our love is all we have

Our love
Our love is all of God's money
Everyone is a burning sun

Tall buildings shake
Voices escape singing sad sad songs
Tuned to chords strung down your cheeks
Bitter melodies turning your orbit around

Voices whine
Skyscrapers are scraping together
Your voice is smoking
Last cigarettes are all you can get
Turning your orbit around

Last cigarettes are all you can get
Turning your orbit around
Last cigarettes are all you can get
Turning your orbit around

...this has been a rather long and meandering way to address shecoda's question (and I do apologize for going into other topics to make my point). :)

[nightcat]

Alpha, the Sprigmeyer links in your post are very much appreciated! That's a wealth of Illuminati/ritual abuse/mind control info there... great resource.

You're aces, Alph!

:)

[True Wireless]

Alpha, the Sprigmeyer links in your post are very much appreciated! That's a wealth of Illuminati/ritual abuse/mind control info there... great resource.

You're aces, Alph!

:)

I second that.

I think that those writing movie scripts today by and large are uncognizant as they are 2nd or 3rd gen "programs. Much like having 386 underlying XP, although the interface is far superior it is still 386...change the DOS a bit but it is still DOS.

Now, how to digest this knowledge and what it means. I think the droopy eyelid is an actual physical representation...to the eye over the pyramid.

So much here....thanks Alpha..looking forward to dissecting this.

[Alpha]

AW....you guys... :o :o

Actually, you are the ones rocking this forum and the priviledge of being able to discuss all the wonderful topics with all the great minds here, is mine.

Yeah, I really look forward to getting into this and many other topics here, with you all.

Imaginative Worlds is a great place and opportunity for all of us to really search, delve, explore and discuss all that we find, what we feel is important, just stuff that we find that's interesting, things that we feel are pivotal to our current reality, how we feel about it, what we understand or don't... etc., etc., etc.

I apologize that I'm really pressed for time before the holidays, yet look forward to some great discussion on this and the other decks in 2005.

Apologies in advance that my replies to many of the wonderful, cerebral and insightful posts here and on other decks, likely won't be acknowledged by me, until after I serve Christmas dinner....I want to give you all and your thoughts and comments, my undivided attention when I do.

In the interim though, post on, post hard.

Do know, how much I value and appreciate YOU ALL and most importantly, how valuable you all are as fellow explorers, individally and collectively...... :o :) ;)

O.K....so let's rock!

[Aquarius]

Maybe this isn't the right thread, but there are subliminal messages in commercials on television telling us to buy their product.

[nightcat]

Maybe this isn't the right thread, but there are subliminal messages in commercials on television telling us to buy their product.

Actually, it's a great topic for this thread! Subliminal advertising is mind control of the worst kind -- that is how the public consciousness is shaped to desire certain things (those which they want to sell us) and shun other things (those with less inherent profit for the powers that be...).

I first read a book called "The Hidden Persuaders" (can't recall author) in the '70s. From there, I went on to read several books on subliminal advertising by Wilson Bryan Key. These really opened my eyes! I was incensed that people would insert hidden messages into information with the intent to control my thoughts and actions!!! :mad: It was then that I found it went deeper and deeper still... that was when I became aware of MKULTRA and other insidious mind control programs.

[Alpha]

As a great appreciator of the fine art of song crafting, it's immediately obvious to me whether music I'm listening to has come from this higher plane of existence or not. Songs work on our highest level of perception; the part of our minds that we use for remote viewing and that gives us significant dreams is also the part we use in creating and in listening to music. The best songs, of course, come through songwriters with great ability to tap into the collective consciousness as they write - this is true channeling! - but even they have to meet deadlines sometimes and, to meet them, will hammer out material that, while theoretically as well-crafted as the "otherworldly" inspired things, lacks that hard-to-define spark, that x-factor, that their best songs have. I can spot these right away and they're the songs that always get my finger tapping... on the "skip" button, that is.



**edit**take out Noel, insert nightcat **end edit***, I have no doubt that true soulfull and ethereal art, be it musical, pictoral taps in to a greater consciousness and/or is guided by ETI ( not necessarily "alien". but guides or other energies).

Yet, the more I read I wonder what preportion is truly as you describe above and what percentage is an orchestrated manipulation by earthbound beings, with agenda of influencing perception, structuring belief and cultural systems with the objective to control. Are modern film, radio programs, "popular music for the most part, truly art or something else entirely?

Let's look at some examples and analysis together in the following threads. :)

[Noel]

Huh? Do you mean Nightcat?

[Noel]

Alpha, you're always picking on me! :D

[Alpha]

Oooops....yup, apologies Noel and nightcat...will fix it. :eek: ....still a bit bleary eyed from the Holidays....my bad....

[Noel]

No problem. I knew by the quality of the post that it damn sure didn't come from me. :D

[Alpha]

from: whale.to

"When the World Order has discovered a technological breakthrough they pretend that they are still researching the basic concept. Often they prepare the public for their inventions via science fiction novels and movies. The reasons include their need to avoid the future shock that can incapacitate a people." The Illuminati Formula Used to Create an Undetectable Total Mind Controlled Slave (http://www.whale.to/b/sp/8.html )

A great deal that is coming out of Hollywood is linked to mind control in some fashion. Some of the hottest entertainers are Monarch slaves, such as Madonna, a Marilyn Monroe replacement. Co-author Fritz was given a catalog to Vidimax, which is an New Jersey occult porn video club by someone wanting to help his research. This cult video club sells actually snuff films. They sell the real life footage of cannibalism, virgin sacrifices, occult rituals, and worse. When Madonna was a teenage slave with the name Louise Chiccone living in NY East Village, a real life film was made of her being raped (a setup), and then her cult family taking the rapist and sacrificing him. Vidimax sells this for $19 to their members. Some of their videos are live footage of how kidnapped people have been tortured into becoming slaves. One of the catalog listing says, "tortured until their wills are broken and they become Olga’s submissive slaves!...WARNING EXTREME GRAPHIC VIOLENCE...BACK BY POPULAR DEMAND." The Science Of External Controls Monitor (http://www.whale.to/b/sp/12.html)

How the Disney movies are used as programming scripts is very involved so only one detailed example is given at the end of this chapter. The Illuminati and Mafia knew that Walt had the ability to get the job done that the Great Plans called for. In 1934, Walt Disney made a cartoon about a goddess of the Mystery Religions named Persephone. In the cartoon entitled The Goddess of Spring, the goddess Persephone is captured by Satan as his bride and sent to the underworld, with the agreement she could return to earth six months of each year. The Illuminati have rituals around Persephone. On Dec. 21, 1937, Disney premiered the first full-length color cartoon movie "Snow White and the Seven Dwarfs." This cartoon had taken $1.4 in depression-time money and three years to make. Over 750 artists worked on the film. Walt Disney had gotten the idea from a silent movie of Snow White which he saw as a boy in 1917. The movie has an important occult theme to it, and has been used for occult mind-control programming.

The Skill of Lying, The Art of Deceit (http://www.whale.to/b/sp/springmeier.html#CHAPTER_5)

The 90 mm. "Night of the Living Dead" expresses the satanic black magic goal to control bodies.

Aspects of Illuminati programming can also be seen in the movie "Spirits of the Dead", where spirit copies of one’s abusers are placed into the slave, and the movie "Cat Girl", where a beautiful girl is turned into a killer beast. Several movies have come out showing the concept of creating robotic people such as the 1920’s movie Golem, the 1966 movie Cyborg 2087, and the movie Frankenstein.

As many writers have noted, there are aspects to the film which uncannily echo the accounts of purported CIA-mind controlled sex slaves such as Candy Jones, Cathy O'Brien, and Brice Taylor.

For instance, as Adam Gorightly notes in his article "An Interpretation of Kubrick's Eyes Wide Shut" (http://www.konformist.com/flicks/eyeswideshut.htm) on Konformist.com, the use of masks in the film and the manner in which characters inexplicably change personalities are strongly suggestive of the process of trauma-based mind-control programming. Gorightly further notes that the recurrent rainbow symbolism in the film seems to be a direct allusion to the way in which images and themes from The Wizard of Oz are reportedly used as a programming matrix for mind control victims. Also, the film's key scene--the one in which Tom Cruise crashes a Masonic-style sex magick ritual--readily brings to mind the goings-on in Alex Jones' real-life Bohemian Grove video (http://www.infowars.com/bg1.html). In this surreptitiously recorded video, world leaders in red hooded robes are seen conducting a mock human sacrifice in front of a giant statue of the Babylonian child-eating, owl-god Molech.-- Mack (http://www.mackwhite.com/beast.html) ......tbc

[Alpha]

Alpha, you're always picking on me! :D

Just can't help myself 'cause you're soooooo cute....among other wonderful and noticable attributes :D , of course.....

[Noel]

Now you've melted my heart! :)

[True Wireless]

Let's go crazy...wooo...
Let's go nuts...
Let's find the purple banana...

Oh wait...that is another thread completely unrelated to conspiratorial mind control... :D

Did you include music and its' industry in this thread Alpha? :D

[Shecoda]

No problem. I knew by the quality of the post that it damn sure didn't come from me. :D

Oh come on Noel. You certainly have the ability to compose a quality post like tha.....Hmmm.....this is Noel we are talking about ...hmmm......Well maybe not. :D

[Noel]

:eek: :D

[Alpha]

Let's go crazy...wooo...
Let's go nuts...
Let's find the purple banana...

Oh wait...that is another thread completely unrelated to conspiratorial mind control... :D

Did you include music and its' industry in this thread Alpha? :D

Hi TW,

Great question....I was actually thinking of the same thing yesterday.

I think it's a huge topic and maybe deserves a thread of it's own....what do you think?

I have some material for that topic and guess you likely do to, so whoever gets to it first, let's start a new thread for "Music and Mind Control". :) O.K.?

BTW, those lyrics have me stumped!!....they are????? :D

[True Wireless]

Hi TW,

Great question....I was actually thinking of the same thing yesterday.

I think it's a huge topic and maybe deserves a thread of it's own....what do you think?

I have some material for that topic and guess you likely do to, so whoever gets to it first, let's start a new thread for "Music and Mind Control". :) O.K.?

BTW, those lyrics have me stumped!!....they are????? :D

I agree Alpha, and since I am here now I will start it, however I do not have any "collected" material now except for my own thoughts on the matter.

The lyrics were a poor attempt at duplicating Prince's Purple Rain which was or is being discussed on another thread I was reading..they are wrong as I wrote them..but then since we are talking mind control...wrong is right..right? :D

Obviously, lyrically speaking, steaming byproduct doesn't fool you :D

[True Wireless]

You know as an after thought, I even have a little temptation to eventually start a thread covering mind control within mind control...I mean after all...mind control isn't just about the masses. I'm sure we have mind controllers dueling it out in a virtual cyber cerebellum of varying nations eh?

So, this brings me to the question...which I think was even put forth in that Julius Fast book the Hidden Persuaders...who battles for the control of mind controllers..and just what are the mental elite doing? LOL

If thread ever flies one day..we should have some fun with it....and...psssttt...oh never mind---->>>LOL never mind...that cracks me up...an inside the cerebral cortex joke :D

[nightcat]

**edit**take out Noel, insert nightcat **end edit***

scene: 7:00 AM. cat considers making "insertion" joke, finds comic well dry due to post-vacation bleariness, temporarily abandons pursuit of wisecrack



I have no doubt that true soulfull and ethereal art, be it musical, pictoral taps in to a greater consciousness and/or is guided by ETI ( not necessarily "alien". but guides or other energies).

Yet, the more I read I wonder what preportion is truly as you describe above and what percentage is an orchestrated manipulation by earthbound beings, with agenda of influencing perception, structuring belief and cultural systems with the objective to control. Are modern film, radio programs, "popular music for the most part, truly art or something else entirely?

Great point, Alpha.

Indeed, music is one of the very best (if not the best...) tools there is for the purposes of mass mind control.

One of my own personal guidelines: Music that was built to appeal to the masses, that addresses the lowest common denominator -- that which is marketed by the 'big three" then forced upon us by Viacom, ClearChannel, Disney et al ad nauseum -- is INSTANTLY SUSPECT. I do not trust this kind of product ever. Any genre or class of music that is sold to the public on the basis of being a soundtrack for a particular "Lifestyle" (god, I despise that word....), for me, goes out the door immediately should it ever initially trick me and make its way in.

I've actually got MUCH to say on this subject and will do so in TW's Music and Mind Control thread as I get caught up on work-type-stuff and have some writing time.

Nice to "see" y'all again, by the way! Everyone have good holidays?

[Noel]

That's ok Nightcat. If you're tired I'll cover for ya and take credit for your post. :D

[Illyria]

Alpha I actually "stumbled" upon the Eyes Wide Shut (http://www.konformist.com/flicks/eyeswideshut.htm) article, before I knew it was here.

Did you read it..silly question, Of course you did :o

But man! Is there a whole lot of information of the "Monarch" aspect of the Illuminati? From article:
(Drug addiction is a common modus operandi in the control of Monarch sex slaves this is so disturbing and enlightening at the same time.

All right, article saved to favorites...time to dig :)

[True Wireless]

But man! Is there a whole lot of information of the "Monarch" aspect of the Illuminati? From article: this is so disturbing and enlightening at the same time.

All right, article saved to favorites...time to dig :)

Disturbing and enlightening at the same time.

After doing some digging and reading all the names alleged (I say that as I am uncertain if what is said is factual completely or not...disturbing without question) to be involved and so on...what world is this?

Perhaps this really is hell afterall as it would seem that is really what is going on. I don't doubt for a moment that things of this nature occur all the time and possibly with the names mentioned and more.

If this is all true, then it speaks a lot about the ignorance I and many others have about the true nature of our existence on this physical plane and on this Earth.

What can one say after a good solid absorbing of such material? This is mankind? This is the leadership of the planet? Just reading the material makes me question if the material itself isn't a progeny of the 'controllers' themselves...

Just think of the compartmentalization that occurs from one reading the material...the material itself is a mechanism of mind control, which is generally either going to generate or surface fear or approval in the reader.

If fear..then it is trauma and control is achieved, if approval then the limits of that mind are expanded and other avenues and venues of control may be considered.

This is certainly an example of the way the internet can be controlled that goes beyond super cookies and machine addresses. This is an example of specific targeting, and just think of the marketing.

Well now, seems we are graduating onto the more advanced levels of discussion complete with actual physical examples. Most interesting....not much difference between en masse and individual is there, mathematical splicing notwithstanding...

[Alpha]

Alpha I actually "stumbled" upon the Eyes Wide Shut (http://www.konformist.com/flicks/eyeswideshut.htm) article, before I knew it was here.

Did you read it..silly question, Of course you did :o

But man! Is there a whole lot of information of the "Monarch" aspect of the Illuminati? From article: this is so disturbing and enlightening at the same time.

All right, article saved to favorites...time to dig :)

Illy,

Monarch Programming is both interesting and disturbing.

There are some really good interviews out there, which I'll post later, where the victims of this type of programming describe their personal experience: i.e. Cathy O'Brien, Arizona Wilder, Cisco Wheeler, Svali.....

Here's a bit more about how Monarch Programming works:

From: theuniversalseduction.com

DEFINITION AND DESCRIPTION

The name MONARCH is not necessarily defined within the context of royal nobility, but rather refers to the monarch butterfly. When a person is undergoing trauma induced by electroshock, a feeling of light-headedness is evidenced; as if one is floating or fluttering like a butterfly. There is also a symbolic representation pertaining to the transformation or metamorphosis of this beautiful insect: from a caterpillar to a cocoon (dormancy, inactivity ), to a butterfly (new creation) which will return to its point of origin. Such is the migratory pattern that makes this species unique.

Occultic symbolism may give additional insight into the true meaning Psyche is the word for both “soul” and “butterfly” coming from the belief that human souls become butterflies while searching for a new reincarnation.
Some ancient mystical groups, such as the Gnostics, saw the butterfly as a symbol of corrupt flesh. The “Angel of Death” (remember Mengele?) in Gnostic art works was portrayed crushing the butterfly. A marionette is a puppet that is attached to strings and is controlled by the puppet master, hence MONARCH programming is also referred to as the “Marionette Syndrome.” “Imperial Conditioning” is another term used, while some mental health therapists know it as “Conditioned Stimulus Response Sequences.” Project MONARCH could be best described as a form of structured dissociation and occultic integration, in order to compartmentalize the mind into multiple personalities within a systematic framework. During this process, a Satanic ritual, usually including Cabalistic mysticism, is performed with the purpose of attaching a particular demon or group of demons to the corresponding alter(s). Of course, most skeptics would view this as simply a means to enhance trauma within the victim. negating any irrational belief that demonic possession actually occurs.

ALTERS AND TRIGGERS

Another way of examining this convoluted victimization of body and soul is by looking at it as a complex computer program: A file (alter) is created through trauma, repetition and reinforcement. In order to activate (trigger) the file, a specific access code or password (cue or command) is required. The victim/survivor is called a “slave” by the programmer/handler, who in turn is perceived as “master” or “god.” About 75% are female, since they possess a higher tolerance for pain and tend to dissociate easier than males. Subjects are used mainly for cover operations, prostitution and pornography; involvement in the entertainment industry is notable. A former military officer connected to the DIA, told this writer, “In the ‘big picture’ these people [MONARCH victims] are in all walks of life, from the bum on the street to the white-collar guy”. In corroboration, a retired CIA agent vaguely discussed the use of such personnel to be used as “plants” or “chameleons” for the purpose of infiltrating a designated group, gathering information and/or injecting an ulterior agenda.

There are an inordinate amount of alters in the victim/survivor with numerous back-up programs, mirrors and shadows. A division of light-side (good) and dark-side (bad) alters are interwoven in the mind and rotate on an axis.

One of the main internal structures, (of which their are many) within the system is shaped like a double-helix, consisting of seven levels. Each system has an internal programmer which oversees the “gatekeeper” (demons?) who grant or deny entry into the different rooms. A few of the internal images predominately seen by victims/survivors are trees, the Cabalistic “Tree of Life,” with adjoining root systems, infinity loops, ancient symbols and letters, spider webs, mirrors or glass shattering, masks, castles, mazes, demons/monsters/aliens, sea shells, butterflies, snakes, ribbons, bows, flowers, hour glasses, clocks, robots, chain-of-command diagrams and/or schematics of computer circuitry boards.

BLOODLINES AND TWINNING

A majority of the victims/survivors come from multi-generational Satanic families (bloodlines) and are ostensibly programmed “to fill their destiny as the chosen ones or chosen generations”(a term coined by Mengele at Auschwitz). Some are adopted out to families of similar origin. Others used in this neurological nightmare are deemed as the “expendable ones” (non-bloodliners), usually coming from orphanages, foster care homes, or incestuous families with a long history of pedophilia. There also appears to be a pattern of family members affiliated with government or military intelligence agencies.

Many of the abused come from families who use Catholicism, Mormonism, or charismatic Christianity as a “front” for their abominable activities (though members of other religious groups are also involved.)

Victims/survivors generally respond more readily to a rigid religious (dogmatic, legalistic) hierarchical structure because it parallels their base programming. Authority usually goes unchallenged, as their will has been usurped through subjective and command-oriented conditioning.

Physical identification characteristics on victims/survivors often include multiple electrical prod scars and/or resultant moles on their skin. A few may have had various parts of their bodies mutilated by knives, branding irons, or needles, Butterfly or occult tattoos are also common. Generally, bloodliners are less likely to have the subsequent markings, as their skin is to “remain pure and unblemished.”

The ultimate purpose of the sophisticated manipulation of these individuals may sound unrealistic, depending upon our interpretive understanding of the physical and spiritual realms. The deepest and darkest alters within bloodliners are purported to be dormant until the “Anti-Christ~’ is revealed. These “New World Order” alters supposedly contain call-back orders and instructions to train and/or initiate a large influx of people (possibly clones or “soulless ones”), thereby stimulating social control programs into the new millennium. Non-biological “twinning” is yet another bizarre feature observed within MONARCH programming. For instance, two young non related children would be ceremoniously initiated in a magical “soul-bonding” ritual so they might be “inseparably paired for eternity” (possibly another Mengele connection?). They essentially share two halves of the programmed information, making them interdependent upon one another. Paranormal phenomenon such as astral projection, telepathy, ESP, etc. appear to be more pronounced between those who have undergone this process.

Levels of MONARCH Programming

ALPHA. Regarded as “general” or regular programming within the base control personality; characterized by extremely pronounced memory retention, along with substantially increased physical strength and visual acuity. Alpha programming is accomplished through deliberately subdividing the victims personality which, in essence, causes a left brain-right brain division, allowing for a programmed union of L and R through neuron pathway stimulation.

BETA. Referred to as “sexual” programming. This programming eliminates all learned moral convictions and stimulates the primitive sexual instinct, devoid of inhibitions. “cat” alters may come out at this level.

DELTA. This is known as “killer” programming, originally developed for training special agents or elite soldiers (i.e. Delta Force, First Earth Battalion, Mossad, etc.) in covert operations. Optimal adrenal output and controlled aggression is evident. Subjects are devoid of fear; very systematic in carrying out their assignment. Self-destruct or suicide instructions are layered in at this level. THETA considered to the “psychic” programming. Bloodliners (those coming from multi-generational Satanic families) were determined to exhibit a greater propensity for having telepathic abilities than did non-bloodliners. Due to its evident limitations, however, various forms of electronic mind control systems were developed and introduced, namely, bio-medical human telemetry devices (brain implants), directed-energy lasers using microwaves and/or electromagnetics. It is reported these are used in conjunction with highly-advanced computers and sophisticated satellite tracking systems.

OMEGA. A “self-destruct” form of programming, also known as “Code Green.” The corresponding behaviors include suicidal tendencies and/or self-mutilation. This program is generally activated when the victim/survivor begins therapy or interrogation and too much memory is being recovered.
GAMMA. Another form of system protection is through “deception” programming, which elicits misinformation and misdirection. This level is intertwined with demonology and tends to regenerate itself at a later time if inappropriately deactivated.

METHOD AND COMPONENTS

The initial process begins with creating dissociation within the subject, usually occurring from the time of birth to about six years. This is primarily achieved through the use of electroshock (ECT) and is at times performed even when the child is in the mother’s womb. Due to the severe trauma induced through ECT, sexual abuse and other methods, the mind splits off into alternate personalities from the core. Formerly referred to as Multiple Personality Disorder, it is presently recognized as Dissociative Identity Disorder and is the basis for MONARCH programming. Further conditioning of the victim’s mind is enhanced through hypnotism, double-bind coercion, pleasure-pain reversals, food, water, sleep and sensory deprivation, along with various drugs which alter certain cerebral functions.

The next stage is to embed and compress detailed commands or messages within the specified alter. This is achieved through the use of hi-tech headsets, in conjunction with computer-driven generators which emit inaudible sound waves or harmonics that affect the RNA covering of neuron pathways to the subconscious and unconscious mind. “Virtual Reality” optical devices are sometimes used simultaneously with the harmonic generators projecting pulsating colored lights, subliminals and split-screen visuals. High voltage electroshock is then used for memory dissolution.

Programming is updated periodically and reinforced through visual, auditory and written mediums. **Some of the first programming themes included the Wizard of Oz and Alice and Wonderland, both heavily saturated with occultic symbolism. Many of the recent Disney movies and cartoons are used in a two-fold manner: desensitizing the majority of the population, using subliminals and neuro-linguistic programming, and deliberately constructing specific triggers and keys for base programming of highly-impressionable MONARCH children. A prime example of how subliminal programming works is by looking at the recent Disney cinematic sensation Pochahontas, curiously billed as their “33rd” (highest degree in Scottish Rite Freemasonry) animated movie. In the movie, Grandmother Willow is a mystical 400 year old tree who counsels the motherless Pochahontas to listen to her heart and help her realize all the answers lie within. Grandmother Willow is constantly talking in “double-speak” and using “reversals” (i.e. “Sometimes the right path is not the easiest one”; the esoteric derivative being: the left path [the path that leads to destruction] is the easiest one. In Illuminati Structured MPD Systems, the willow tree represents the occultic powers of Druidism. The intrinsic imagery of the tree’s branches, leaves and root systems are very significant, as some of the dark spiritual proper ties associated with the Willow Tree Programming are:

(I)
The branches are used to whip victims in rituals for “cleansing” purposes, (2) A willow tree can endure severe weather disturbances (i.e. storms) and is known for it’s pliability or flexibility. Victims/Survivors of the programming describe the willow’s branches wrapping around them, with no hope of escape, (3) The deep root system of the willow tree makes the victim/survivor feel as if they are falling deeper and deeper into an abyss while in a hypnotic trance.

Music plays an instrumental role in programming, through combinations of variable tones, rhythms and words. Frightmeister Stephen King’s numerous novels and subsequent movies, are purported by credible sources to be used for such villainous purposes. One of his latest books, Insomnia, features a picture of King with the trigger phrase “WE NEVER SLEEP,” (indicative of someone with MPD/ DID) below an all-seeing eye. A partial list of other mediums used to reinforce base programming are:

Pinnochio, Sleeping Beauty, Snow White, Beauty and the Beast, Aladdin, The Little Mermaid, The Lion King, E. T., Star Wars, Ghost Busters, Trancers II, Batman, Bewitched, Fantasy Island, Reboot, Tiny Toons, Duck Tails, The Dead Sea Scrolls and The Tall Book of Make Believe. A few movies which depict or portray some aspect of MONARCH programming are Hell raiser 3, Raising Cain, Labyrinth, Telefon, Johnny Mneumonic, Point of No Return, The Lawnmower Man and Closet Land.

Full Article Here (http://www.theuniversalseduction.com/articles.php?subaction=showfull&id=1091662423&archive=&start_from=&ucat=1&)

[Illyria]

Thank you Alpha, I hope I didn't use the wrong words :( :o

It really does intrigued me..yet disturb me at the same time.

I will be reading, again thank you.

[True Wireless]

No Illyria you didn't use the wrong words. I found the information I was reading upsetting about Cathy O'Brian. I recall a story of 2 young boys who were being satanically molested in the NEast somewhere who even had the help of an ex-green beret..I think his name was Bo something and the courts protected the fathers satanic and sadistic ritual abuse of them. Very very disturbing material.

Cathy O'Brian's story is one that is more than disturbing on so many levels that I had to think about the fact things like that can be written to achieve the very purpose they are written about. The fantastic placement of Presidential names is so "out there"...I mean I don't even want to repeat the porch sequence written about Gerald Ford and her at 6 yrs of age..when her father "sold her". This is serious stuff from so many angles.

I am amazed a book like this would not be challenged for libel even if those were guilty parties..the whole thing is so fantastic that it seems to be an adult-child Alice in Wonderland story. Seems that stories like this might be useful for unearthing a sicko as well as a possible implement of mind control itself.

I have not "processed" this intensely disturbing material. Like I said above, if this is all true, then we have to question who we are with greater significance, because if this is the habit of widespread NWO business...it is sick and self destructive well beyond revulsion that will pass a healthy person out. Psyche shock is an understatement.

Just a side note here, anyone notice the spate of gross out and reality tv shows lately and the reveleance here to mass shock techniques? Sort of a mass partitioning of the mind may be the result to some of this style tv viewing.

[Ninjutsu]

This falls in with what I also believe, but there are several events we could choose at any moment that could take us in any number of directions. The future is in flux and is never set as it depends on myriads of decisions, both personal and collectively. Therefore I still ask the question. Do writers and producers tap into a collective thing that then directs the directions we go in as a race (human) or does the writer tap into the most likely scenario to put it in the coll. con. so we move in that direction?

Interesting Thread - Even if I do not agree with everything in It...

That Said - I like the statement about The Future being in Flux

And

My Comment about the question in this quote is Another Question...

Could the answer to the question Be - Both Ways?


--- Ninja

[Alpha]

Mind Control Themes and Programming Triggers in Movies

By: Carrisa Conti
(Labyrinth, The Manchurian Candidate, Fight Club, Eyes Wide Shut, Mulholland Drive, The Game, The Butterfly Effect, Eternal Sunshine of the Spotless Mind; The Game)


A brief overview, taking some excerpts taken from my Harry Potter article so that the reader can better understand what I’m talking about with the movies in this particular section: The premise of government / occult based mind control is to compartmentalize the brain, and then use techniques to access the different sections of the brain while the subject is hypnotized.

One technique to access the hypnotic state can be achieved by utlizing movement, via suggestions that lead the subject up and down stairways, elevators, and escalators, down hallways and corridors, through doors and portals, even riding along on trains – it’s all about movement. Up, down, left, right, moving in, coming out, here there and to and fro, as the hypnotist uses trigger words and phrases to guide the subject around through the different compartments of their mind and sink them into a deep trance.

Entire systems can be embedded into a person’s mind, each with its own theme, access codes and trigger words. Some of the most common and popular symbols/themes in use seem to be mirrors, porcelain / harlequin masks, rainbows, butterflies, owls, keys, carousels, willow trees, tornados, spirals / helixes, castles, rings, Alice in Wonderland, Peter Pan and The Wizard of Oz. Numbers, colors and music are also heavily used for additional programming and accessing specific compartments of the brain, and are just as important.

In some of the movies I look at in this section, we’ll find ample use of several of the above-mentioned symbolisms.

Programming centers around the concept of inverted reality and illusion, where nothing is at it appears to be, where up is down, in is out, black is white, pain is pleasure, and reality and dreams are blurred. Word play and puns also factor in heavily, as they engage areas of the brain that are used during programming.

A mind splitting into alternate personas usually occurs when the victim is subjected to repetitive abuse and horrors it can’t cope with. The mind fractures into compartments designed to “house” the traumas that the main personality can’t handle. These alternate personas can be brought to the forefront of the mind when needed to take on whatever trauma is happening. The abuse can happen to a person (usually child) in the every day real world, (usually at the hands of abusive parents and caretakers). However, a naturally fractured mind can be a very messy thing, especially when it occurs as an inadvertent coping reflex. There’s no “organization” behind it, and the person will usually have a hefty dose of mental issues to go along with it, preventing them from being a fully functioning member of society. They’re unpredictable, and the mind is a mess.

On the other hand, there are certain “Powers That Be” who have perfected the technique of artificially splitting and programming people’s minds through the use of technology, drugs and electroshock. In this case, the targets are abduction victims, military personnel used for experimentation, society’s throw away kids plucked from jails and detention centers, Hollyweird performers, etc., among the various people and groups used.

A mind that has been split through organized, purposeful means by those with the skills is one that is “neat and tidy.” In these cases, the artificially split mind is run exactly like a computer program, complete with its own theme and trigger codes and access words. It can be turned on and off like a switch, and the programmer / handler has complete control over what the system themes and trigger words will be. The alternate persona won’t emerge unless the trigger word / song / phrase is given.

The victim is fully functional in society and won’t even know they have this aspect of themselves buried within their subconscious. For all intents and purposes, they are the perfect agent. There’s little, if any, messy psychological issues to throw a wrench in the works, and minimal chance of the alternate being triggered and activated when it’s not needed.

In these artificially created / black ops mind control cases, victims are used for various purposes. Sexual slaves, assasins / “agent provocateurs”, controlled performers for $$ making, and so on. It’s been said that many, many of the actors, actresses, models and pop singers that you see strutting about in Hollyweird are actually programmed multiple victims with controlling handlers. After I learned this, I started paying closer attention to the behavior the stars and starlets and singers that are paraded in front of us. And damn if it didn’t seem to be true…once you know what to look for. And the clues can be found in music and movies as well.

I’ve come to realize lately that with regards to the many “mind control symbolisms” outlined in the following movies, often times, there’s another layer or meaning to it.

It’s not “just” about mind control programming and triggers; it’s also about relaying archetypes and higher level, 4th density concepts, of both an STO and STS nature. We just watched two movies within the past few day: “The Game” on DVD, and “V For Vendetta” in the theater, and it was these two movies specifically that made me realize this idea. My boyfreind and I bounced ideas off each other and came to realize that in order for movies with higher level, meaningful esoteric concepts to be “allowed” out there, it’s almost as if they need to be intertwined around “negative” STS concepts and even those pesky “mind control symbolisms and triggers.”

This seems to be the case with the Matrix trilogy for instance, mentioned in my Fake Reality section. I held back from doing a write up on The Matrix only because there’s just too much to say, way too many layers and meanings…both of a “positive” nature and “negative.”

Many people out there who are clued in to things easily picked out the mind control themes and symbols embedded throughout The Matrix, yet, there’s no denying the higher esoteric, 4th density level concepts interlaced amongst them. It’s a bit confusing, but it seems maybe that’s the way it has to be, in order to be “allowed.” The Matrix was released in theaters on March 31, 1999 – and watching the scene where Neo and Trinity show up, all leather and trench coats, wearing sunglasses, loaded down with weapons, shooting everything up – with the realization that the Columbine Highschool massacre occured three weeks later – you of course have to wonder. Did it act as a trigger of sorts? Seems to me it’s highly possible. All the blame and focus for the “trench coat mafia” went on Marilyn Manson, but who was even bothering to look at The Matrix?

A movie alone can’t “make” somebody do something – we’re all responsible for our own actions, after all. But if somebody is on psych meds, comes from a military family, has been instilled with mind control programming, and lives near Denver, Colorado, the conspiracy capital of the United States – which is the case with the Columbine shooters – then yes, it’s very likely that the movie helped to trigger and encourage their latent programming. “Bad” symbolisms offsetting the “good.” Keeps things “balanced”, makes it so these movies will be allowed.

In the case of “The Game”, there was a high emphasis on “the eternal question,” and “what it is” – same as in The Matrix, a word for word quote even; There was an emphasis on keeping your eyes open and “looking for the key.” The Grail, the hero’s quest, journey; the soulless man who learns how to connect with people again and stops being such an a**hole. All high level concepts…interlaced with mind control symbolisms and triggers. Sometimes overlapping. Keys are a mind control symbolism representing locked compartments of the mind, requiring trigger codes. It can also represent the key to breaking through to something higher.



So, with that in mind…Being that there are scores of movies that involve mind control themes and symbolisms, I’ll just cover the big ones that I know of. Using this as a guide, along with the additional research materials I recommend afterwards, it should be enough so that the reader can begin deciphering on their own.



Labyrinth – 1986. David Bowie, Jennifer Connelly.

I love this movie, I truly do, despite the fact that it’s one giant symbolic MK Ultra / Illuminati mind control trip from start to finish. Sarah (Connelly) is a bratty, spoiled teen lost in a child’s fantasy world of make believe, day dreaming her time away with her dolls and puppets and fairytales. While stuck babysitting once again for her little brother Toby, she impulsively wishes for the Goblin King (Bowie) to come and take him away. And much to her shock, he appears…and obliges, despite her change of heart and pleading protests. Now she must navigate her way through the mysterious Labyrinth, where nothing is at it seems to be, and get to the Goblin City to rescue Toby before time runs out.

The plot itself is another version of The Wizard of Oz – young girl sets out on an adventure to get to a particular destination (Goblin City = Emerald City) via the Labyrinth = Yellow Brick Road. And with the help of her ragtag group of misfit friends that she picks up along the way, she gets into adventures, navigates obstacles in her path, and learns important lessons about herself. And all the while, as the entire adventure is just a dream…or is it? On the DVD insert, it says, “Is it all a dream, like Alice’s Adventures in Wonderland, or Dorothy’s in The Wizard of Oz? In my own mind it is. But it’s all rather ambiguous – dream or reality? Fantasy or fact?” Alice in Wonderland and The Wizard of Oz are two of the biggest mind control themes in use, interestingly enough, due to all their ready-made symbolisms, use of “inverted reality”, reality vs. dream and illusion, and word play. So I find it no coincidence that this movie cites both as being influences.

What’s confusing to me is that this movie, with all of its obvious references to MK Ultra and other occult esoteria could have spawned from Jim Hensen, who is supposed to be the kind, loving creator of Sesame Street and the Muppets. I don’t get it. Hensen seemed like such a neat guy, and every quote that imdb.com featured about him was amazing – very spiritual, talking about meditating every day and not judging others and making sure to be full of love and gratitude, and to give blessings to those he’s not getting along with or has negative feelings for. It’s so…confusing! It makes me start to doubt what I’m seeing when I look at Labyrinth, but all I can say is, the following speaks for itself. There must have been another aspect of Jim Hensen that maybe we’re not aware of – some sort of secret society ties, something that could have provided the background foundation for what appears in this movie. Either that, or he was being “influenced”, to put it delicately, without realizing he was. Meaning, someone/something was feeding him ideas, and he didn’t even realize the full, true meaning behind it all.


Key Elements

The White Owl – Known as Moloch in the Illuminati occult circles. Moloch is worshipped as a deity, and ritual sacrifices are done in its honor. The white owl of Moloch is also used in the rituals at Bohemian Grove, as documented by Alex Jones. www.infowars.com Owls are also linked to alien activity, symbolically representing the Grays. Many abductees will report having “dreams” with owls, which are actually screen memories of something else.

Jerreth, the Goblin King – Played by David Bowie. Jerreth stems from Jared, which is Hebrew for “descendent” (bloodline, descendent of the Gods when looked at in the context of his alter ego, the white owl Moloch.) The white owl morphs into Jerreth, who is the Goblin King, and who wields the intriguing ball that he twirls about on his hands. At one point Jerreth offers Sarah the ball in exchange for Toby, and when she refuses, it turns into a snake which he tosses at her. Snake – reptilians, tying back into Moloch and the Gods, as well as alien abductors/controllers. On a side note, a near identical image of Jerreth with the glass ball in his hands can be found in a picture drawn by Credo Mutwa, leader of the Zulu Nation. The picture depicts the Nordic alien “Gods” who supposedly visited the Zulu tribe eons ago; they were tall, blond, and blue eyed…and wielded a ball in their hands that was linked to them being able to appear and disappear…exactly as Bowie is depicted in the movie. There’s also another mention of something near-identical in the Dolores Cannon book, “The Legend of Starcrash” and the blond / blue eyed aliens with their techno-gadget ball that manipulated reality.

Taking Toby – Not overlooking the obvious, the plot centers around the baby being stolen by the Illuminati-esque controller / white owl; could be representative of the baby / child victims who go missing every year via the supposed “illuminati” abductions to be used for a host of nefarious purposes, as well as childhood alien abductions.

Control over time – Jerreth is able to change the clock and control time in the Labyrinth, having the upper hand with Sara, as mind control handlers do with their real life victims. Hyperdimensional/alien controllers also have control of time, being that time doesn’t exist outside of 3rd density.

The Labyrinth – The labyrinth itself, with all its trickery and illusion, where everything keeps changing and nothing is at it appears to be, resembles the screwball world of the mind control victim’s mind, which has been split and shattered into multiple personalities and compartments.

* The “Oubliette” – “It’s a place you put people…to forget about them!” explains Hoggle. In the Labyrinth, Sarah falls down into a pit known as an oubliette, and it represents a compartment in the multiple’s mind created to house the ugly traumas they can’t deal with. To get out, Hoggle picks a door off the ground, props it up in the doorway, uses a key to open it one way revealing a junk closet, and then tries again the other way, correctly accessing the way out. All of which is representative of accessing certain compartmentalized areas of the mind with the “right” trigger.

* The warning rocks – At one point, Sarah and Hoggle encounter huge stones designed to issue warnings to “Stop! Turn back before it’s too late!’ and other such threats. These parallel the protective programs designed to keep out anybody trying to break through their programming.

* The two doors – Entering doors into other areas of the minds. The two doors argue back and forth using reverse logic to determine which one is really lying and which one is really telling the truth, in a fast paced, “up is down, yes is no” dialogue designed to confuse and befuddle. “One of us always tells the truth…and one of us always lies!” has a double meaning when you realize that programmed multiples often have a personalities which clash in that way.

The masquerade ball – Porcelain mask / masquerade imagery is another important mind control theme, supposedly used in conjunction with Camelot / Shakespeare programming (and our heroine, Sarah, is lost in her own Camelot / fairytale world, as mentioned) as well as mirrors, and both are featured in this scene. Sarah eats the poisoned peach, just as Dorothy smells the opiate poppies, and is momentarily sidetracked into a dream world masquerade ball. Sarah dances with Jerreth as a love song plays, sung by Bowie, implying a “romantic entanglement” with her controller – not unlike how things often go with real mind control victims and their handlers. The scene culminates with Sarah breaking the mirrored walls to get out.

The MC Escher stairs – at the end of the movie, Sarah is trying in vain to get to Toby via the stairs that go every which way, straight out of an MC Escher drawing. MC Escher imagery is classic in mind control programming due to its heavy use of illusion.

The mirror – at the end of the movie, Hoggle and the rest of the creatures from the Labyrinth appear to Sarah in her bedroom mirror, then manifest for real in her room. More mirror symbolism. Alice through the Looking Glass, the dream world that can be accessed through the mirror. Mirrors are used in occultic/esoteric practices to act as portals into other realms.

Again, Labyrinth leaves me very confused, because Jim Hensen seemed so sweet and innocent, so where and how he came up with all of this is just beyond me, unless he had ties to something the public is unaware of. Jim…we never knew ya!!

[Thanks to the writing of Fritz Springmeier for supplying some of the symbolisms in Labyrinth noted here.]



“The Manchurian Candidate” – 2004. Denzel Washington, Liev Schreiber, Meryl Streep.

After giving a speech about his experiences in the Gulf War, military veteran Captain Ben Marco (Washington) is approached by a member of his former unit, Al Melvin, whom he hasn’t seen in years. Melvin asks him about his memories of the night that their unit was ambushed in the Iraq desert and the three days they went missing. It turns out that Melvin has been having dreams that starkly contrast to the mainstream version of events. He tries to share this with Ben, producing his notebook full of scribblings and disturbing drawings and images that show he’s just hanging on by a thread psychologically. Capt. Marco rejects him and advises him to seek help, but Capt. Marco hasn’t been doing too well himself – living alone, eating Raman soup every night, on meds and seeking psychological treatment from the military hospital. The only one from their former unit that seems to be doing well is Sergeant Raymond Shaw, now a Congressman, who has just been nominated as the VP running mate in the upcoming Presidential election. As Capt. Marco watches the election events unfold on t.v. mouthing word for word the same exact mantra about Raymond Shaw that his former unit members have to say: “Raymond Shaw is the kindest, bravest, warmest, most selfless man I’ve ever met…” we the audience know something is amiss.

If nothing else, see this movie just for Meryl Streep’s performance alone. ! As Senator Eleanor Shaw, she’s the cunning, manipulative, puppet master mother with the incestuous tendencies towards her isolated, loner son, pulling the strings of his career. Playing the role like a rabid Hillary Clinton, she’s a frightening force to be reckoned with, and she’s what makes the movie, in my opinion.


Key Elements

Alternate Personas and Trigger words – “Sergeant Shaw…Sergeant Raymond Shaw…Raymond Prentiss Shaw…” is the specific trigger to snap Raymond into his alter programmed persona. Mind control victims will have various triggers to snap them into their alternate personas, all of which are unknown to the conscious mind, which remembers nothing.

Implants – In the 2004 version, they blatantly feature Raymond Shaw being triggered into his alternate persona, then receiving an implant device in his brain, used for the purpose of controlling / monitoring him. Capt. Marco finds an implant embedded in his left shoulder blade area, and finds one in Raymond’s back as well. Yes, implants are a very real part of mind controlled victim’s lives, and not something you normally see featured so prominently in a mainstream movie.

The Lone Gunman – Raymond’s mother, Senator Eleanor Shaw, calmly explains to Raymond the assassination plot which will allow him to take over once the newly elected President is removed from the picture. The gunman will be none other than the programmed and triggered Capt. Marco. When Raymond curiously asks about Marco’s fate, his mother lovingly explains that he will be killed, because “it’s necessary for the national healing.” A nice wake up call for those out there who still believe that the lone gunmen are regular guys gone crazy, rather than the programmed pawns acting for somebody else’s agenda that they really are.

Switching out the security footage. At the end of the movie after Marco turns the tables and assassinates the newly elected VP Shaw and his mother instead of the Prez, Marco’s “powers that be” friends erase his image from the security footage and replace it with another man’s, covering his butt. Somebody else goes down for the assassination instead of Marco, complete with fabricated story and all, and the public never has a clue. This may seem like nothing to many people who watch it, going over their heads as they forget about it in 30 seconds, but really, how hard would it be to swing something like that in real life? And not just for something big like an assassination, but for anything? When practically everybody has a computer nowadays and the term “photoshopping’ is a new verb in our lexicon, how hard would it be for the Big Boys to fake visual imagery – about anything – when even the average person has the technological capability to do it on a minor scale? It’s a rhetorical question. Nothing about this reality is what we’re told it is, least of all what we’re shown in the media.

Fight Club – 1999. Brad Pitt, Edward Norton, Helena Bonham Carter. Based on the novel by Chuck Palahniuk.

Edward Norton’s character who is never named and is known just as the story’s narrator, is a passive, weak, white-collar, office drone insomniac addicted to support groups who harbors suicidal desires. He’s met his match with Marla Singer (Bonham Carter) another suicidal wayward soul who’s alone in life and has a home in the same support groups. Norton’s upteenth soul sucking business trip takes a turn for the interesting when his airplane seatmate turns out to be Tyler Durden, (Pitt) the cavalier soap salesman with the anarchist, nihilist attitude. After Norton’s condo blows up under mysterious circumstances, he soon pairs with Tyler, moving into a run down abandoned house on Paper Street. Together they form Fight Club, the underground secretive group comprised of everyday schmoes who want to test their manhood by beating the crap out of each other on a weekly basis. Fight Club grows rapidly, taking on a life of its own of epic proportions beyond Norton’s control, spawning Project Mayhem – the anarchist group bent on seeing the destruction of modern society.

Fight Club is a ready-made dream for any mind control programmer when their intended victims are going to be used for “agent provocateur” dirty work, as I will explain below. I don’t really think that Chuck Pahlaniuk deliberately wrote the book to be used as such, (hell, he probably didn’t even think it was going to be made into a movie) but I think that some “powers that be” certainly recognized the potential with the book / movie once it came out. It was a ready-made dream.


Key Elements

Split personality / alternate persona. Edward Norton and Pitt’s Tyler Durden turn out to be the same person in the big surprise twist moment at the end when it’s revealed that Norton is a split personality (translation = compartmentalized multiple). He’s been running around leading two lives for much of the movie without realizing it. Tyler Durden first started out as an “imaginary friend” of sorts, a crutch to help Norton’s character break free of the chains of his meaningless life, but little by little his mind began merging with the imaginary friend until he becomes Tyler Durden, complete with black out periods where he’s running around, doing things he later has no recollection of. This is classic split personality / compartmentalized multiple mind control victim behavior where the pawn is triggered into their alternate, then runs around doing bidding that they later have no knowledge of.

Agent provocateur / self destruct programming. The entire movie reinforces the idea of destructive anarchy, with the goal being the dismantling of society. The last scene of the movie shows skyscraper after skyscraper blowing up and collapsing, Las Vegas hotel TNT style, as Tyler Durden and Marla Singer stand hand in hand, watching it all through the window, and the Pixies song “Where is my mind?” plays. Blow up the credit card companies, set everything back to zero, total chaos, is the intended plan. All of this is mucho bueno for programming pawns that will be used for agent provocateur work, or even “deltas”, used for assassinations and such. At the end of the movie, Edward Norton puts a gun in his mouth and attempts to kill himself. Self destruct suicide programming is a MAJOR factor in most agent provocateurs / deltas after they are done being used and abused. See “The Manchurian Candidate” review earlier in this section for more on this.

“My eyes are open.” – I didn’t catch this until I recently re-watched it from my current perspective with what I know now. But at the end of the movie when Edward Norton is facing off with his alternate persona Tyler Durden, he tells Tyler “My eyes are open…” then puts a gun in his mouth and pulls the trigger. Over the past few years I came to figure out that the phrase “Open your eyes” is a trigger phrase (in fact, it’s the last line of the movie “Vanilla Sky”, which in itself is a remake of the Spanish “Abre los Ojos”, or “Open Your Eyes”…and I include an article at the end of this section regarding mind control called…”Operation Open Eyes”) and in Fight Club, we have Tyler responding back with “My eyes are open.” When you really listen to the dialogue that’s spoken before this line, you’ll see that the line doesn’t really fit. It’s just something tacked on at the end, the phrase preluding the suicide attempt. I don’t even think it’s in the original book. It’s the programmed multiple responding back to the subliminally planted command / trigger phrase of “Open your eyes…” with “My eyes are open…” and obediently following through with the programmed command to off himself.

Opening scene – And on a minor note, there’s the opening scene where the credits are rolling and NIN song is playing – it’s textbook trance induction technique. The camera is moving backwards very rapidly, winding its way around this way and that through some microscopic world as the music pounds. Many movies feature this trance induction technique through movement and music during the opening credits – winding along, spinning, falling, fast panning, gliding over water – when you start to pay attention you’ll wonder why you never noticed it before. It’s to get you in a slightly hypnotic state, so that whatever comes after that will program you.

“Man, I see in Fight Club the smartest and strongest men who ever lived. I see all this potential, and I see it squandered. Goddammit, an entire generation pumping gas, waiting tables. Slaves with white collars. Advertising has us chasing cars and clothes, working jobs we hate so we can buy shit we don’t need. We’re the middle children of history man, no purpose or place. We have no great war, no great depression. Our great war is a spiritual war. Our great depression is our lives. We’ve all been raised on television to believe that one day we’d all be millionaires and movie gods and rock stars, but we won’t. And we’re slowly learning this fact. And we’re very, very pissed off.”



Eyes Wide Shut – 1999. Tom Cruise, Nicole Kidman.

Dr. Bill Harford (Cruise) and his wife Alice, (Kidman), are well-to-dos who live in New York City. The crux of the movie centers on Alice revealing to Bill one night that she’d had the desire to cheat on him a year before, and would have, if given half the chance. This revelation comes as a shocker to Bill, who just assumed that everything was hunky dory and moving along smoothly in his relationship. It also ruins the image he’d had of his wife as being innocent and blissful. Alice’s revelation sends Bill wandering around the city at night, trying to sort out his thoughts and his anger/confusion. His walkabout results in him crossing paths with unusual people and circumstances, all of which culminates in him winding up at an orgy of the elite at a Gothic mansion that turns out to be more than he bargained for.

Stanley Kubrick basically made a movie about the soulless, empty, rich elite and their occult ritual double lives (usually Satanic) using their programmed multiple personality slaves – and then mysteriously “died” before the movie was finished. The version we’ve all seen is the version that Steven Spielberg helped cobble together in Kubrick’s absence, so who knows how much of what we actually saw is what Kubrick would have actually intended.

This is a brilliant movie in my opinion; it’s visually enjoyable to watch as every scene was meticulously arranged and filmed in a hypnotic and engaging way, and color plays a heavy role in each and every scene. This movie received terrible reviews as being “boring”, but that’s because people didn’t understand that there was an entire sub-theme playing out in the movie. There’s two, even three layers, and double meanings to everything. So if you’re clued in, you’ll be watching an entirely different movie from what the person next to you is watching. The first and most obvious layer being about the theme of fidelity and sexual relations. Another layer has to do with destruction – nearly every side story and/or female that Bill encounters during his “walkabout” ends in tragedy of some sort – even death. The third layer had to do with dream vs. reality. Which leads to the fourth, and most important layer – it’s in my personal opinion that Stanley Kubrick saw the opportunity to use the “dream vs. reality” theme to slip something in regarding the lives of the rich elite, and their sexually exploited, (read: mind controlled) disposable pawns. As explained in the intro. to this section, dream/illusion versus reality is a HUGE factor in programming mind controlled victims, whether they’re used as assassins/agent provocateurs, or sex kittens. What’s real? What’s an illusion? They don’t know, because they’re compartmentalized multiples with alternate personas, living multiple lives….just like what we find in this movie.


Key Elements

Alice – The famous shot of the movie, and a variation of which appears on the movie box cover is of Alice (Nicole Kidman) gazing at her reflection in a mirror, with her eyes wide open and mouth slightly agape, as Tom Cruise kisses her neck. That’s representative of Alice Through the Looking Glass, one of the most prominent mind control themes in use, as previously mentioned.

“Over the Rainbow” / “Open Your Eyes” – During the ball at the beginning, Bill is being spirited away from the party by two women (models) who have obvious plans to seduce him. When he asks “Ladies, where exactly are we going…exactly?” One replies, “Where the rainbow ends.”

“Where the rainbow ends?” he replies.

“Don’t you want to go where the rainbow ends?” she says.

“Well, now that depends where that is…”

It’s said not once, but three times in the dialogue. Where the rainbow ends has a direct connection to the Wizard of Oz – which, along with Alice in Wonderland, is a HUGE mind control theme that’s heavily used. Going “over the rainbow” is all about sex kitten programming. Immediately following that scene Bill is then whisked away upstairs where Ziegler, the host of the party, is putting his pants back on next to an unconscious nude woman who’s supposedly overdosed on a speedball. Bill tries to wake her up with, among other things, “...Can you open your eyes for me?…let me see you open your eyes …” (see the review for Fight Club prior to this for more on the trigger phrase “open your eyes”). Even the title, “Eyes Wide Shut” is related to open your eyes.

Later on in the movie when Bill needs to get a costume to go to the private masquerade party (masks/masquerade, more mind control symbolisms) he goes to a costume shop called… Rainbow Fashions.

The shopkeeper’s daughter – Played by Leelee Sobieski, she’s the underage Lolita temptress scurrying about in her underwear after being caught by her dad cavorting with two very older Japanese men in the back of his costume shop. She’s flirtaciously sashaying about amidst all the costumes and masks, batting eyes at Bill after whispering something provocative in his ear…in the rainbow – over the rainbow, sex kitten programming – costume shop. Every female character in the movie has a slutty whore persona, interestingly enough, but not just regular old whores – there’s the underlying theme of exploitation happening – reinforcing the sex slave “kitten” mind control sub-theme of the movie. The shopkeeper’s daughter is the Lolita version of this. At the end of the movie when Bill revisits the shop to return his costume, he discovers that the “Lolita’s” father is now pimping her out.

The occult ritual orgy – Everything leads up to this moment. Dr. Harford finds himself crashing what he thinks will be just a regular old swanky party, only to find himself at a ritual occult orgy at a private gated Gothic mansion fortress on Long Island. The interior is decked out in red and black, the music is a creepy chanting in reverse Latin, as the ritual leader swings a bowl of incense counterclockwise, surrounded by 12 nearly nude models, (12 around 1, 13 total); Each woman kisses the one next to her, moving counterclockwise around the circle; Nick Nightingale is playing the keyboard blindfolded, and the couples having sex are doing so in a bored, slow, mechanical way, not like something you might see in a porn movie. Those who aren’t having sex are either sitting around completely still, gazing off blankly at nothing, or slowly and mechanically walking around. There’s no life, personality or soul going on anywhere with anyone, which is exactly the point. There’s even a room where people are lifelessly “ballroom dancing” with their masks on to the muzak version of “Strangers in the Night.” I don’t think that scene was supposed to be funny, but to me it was. !

The masks – Everybody walking about the mansion is wearing porcelain harlequin masks. As noted, porcelain mask imagery is a major mind control symbolism, due to the fact that one programming technique involves “Porcelain mask programming.”

The occult ritual with the center circle and the red and black hooded robes is reminiscent of “Carousel” in “Logan’s Run” (reviewed in the “Egyptian Symbolism” section) and the masquerade ball ties into a very similar scene in “Labyrinth.” So many movies tie into other movies, it’s just a matter of putting all the pieces together and seeing the bigger picture.

Dual lives / alternate personas – The participants at the orgy are leading double lives, and nobody out in the “real world” would ever imagine differently.


At the end of the movie, Bill returns home where his wife Alice awakens from a “bad dream” and tearfully relays that the dream involved her being at a party of some sort, having sex with many man, so many that she lost count, while he watched.

This is the clincher of the movie. She’s describing to a T the scene where he just was, but yet, she wasn’t there, and she couldn’t have known…right? Well, not unless she has been there…possibly in the past. And her “dream” is really a past memory. Combine this, with her name Alice – through the looking glass – and the whole split personality, compartmentalized multiple, mind control sex slave sub theme of the movie, and suddenly it all makes sense.


Minor Points of Interest:

“Not a soul” – At the party at the beginning of the movie, as Bill and Alice dance together, she asks him if he knows anybody there. His response: “Not a soul….” A pun implying that everybody there is soulless. Later when Bill has to make a house call to somebody whose father has died, he tells Alice “I have to go over there and show my face.” That was interesting in light of the masquerade orgy later on in the movie where the key was everybody’s hidden faces. There is meaning to much of what seems like bland and pointless dialogue and plot.

On a side note, is there any significance I wonder to the Hungarian stranger who was flirting with Alice, trying to pick her up? Why Hungarian, of all nationalities?

Domino – The prostitute that Bill meets as he roams about the city at night is named Domino. There is coincidentally what’s known as “domino programming” in mind control slaves.

Fidelio – Bill needs a code word to gain access to the occult party, (trigger code word, access closed off areas of the mind). Fidelio is that word, a play on the word fidelity, which is also one of the themes of the movie. This reminded me of the movie Mulholland Drive with “Silencia.”



“Mulholland Drive” – 2001. Naomi Watts, Laura Elena Harring, Justin Thieroux, Ann Miller.

Betty (Watts) is a wide-eyed, fresh faced newbie arrival to Los Angeles with acting aspirations reminiscent of the old Hollywood movie starlets, who happens upon a beautiful woman with amnesia named Rita, (Harring) another throwback to Old Hollywood. Betty makes it her personal mission to help Rita and get to the bottom of retrieving her memories and piecing together what happened to her. All they have to go on are a purse full of money, a mysterious blue key, and Rita’s sole memory that she was in an accident while en route to Mulholland Drive. Side plots interwoven throughout involve the personal woes of movie director Adam Kesher (Thieroux) and an assortment of David Lynch-esqe characters and their strange and mysterious happenings which don’t initially make sense…but which keep your attention sucked in to the end to find out what’s going on.

This movie has been mentioned often enough as being representative of mind control victims that I decided to include it. I own this movie, and was drawn in from the moment I watched it. It’s hypnotic and engaging, and the best David Lynch movie I’ve seen yet. Or as somebody on imdb.com put it, “David Lynch finally succeeded at making a David Lynch movie.”


Key Elements

The mysterious blue key – Keys are a major mind control symbolism, as they represent locked areas / compartments of the mind. All Rita has is her purse full of money and the mysterious blue key. So, what does the key open?

Amnesia – Rita has amnesia, and can’t remember who she is or what she was doing. Could be representative of the compartmentalized multiple’s life. Which leads to…

Alternate personas – Once again we have a major plot twist where it’s revealed that nothing is what it seemed to be and the lead characters are really somebody else. Who we thought we knew as Betty and Rita were just figments of an imagination…alternate personas in a dream world. In the same way that Edward Norton was really Tyler Durden, “Betty” was really Diane Selwyn, and “Rita” was Camilla Rhodes.

Silencia – Betty and Rita are watching an opera where it turns out the lead performer is just lip synching, (illusion, things are not as they seem to be) and there’s an emphasis on the word “Silencia.” Both women mouth it as they’re watching. Something odd when I watched this movie for the very first time – as I watched this scene, I myself also mouthed the word “silencia” a moment before it was said. I already knew it. Maybe I’m just psychic, I don’t know. ;) At any rate, silencia in this case was a trigger word, as things took a turn in the movie right after this scene.

There really isn’t too much else that I can pick out in terms of specific symbolisms relating to mind control. The movie centers around Hollyweird and the land of broken dreams, which is ripe ground for the exploited “MK Ultra”-type stars. Like “Eyes Wide Shut” it’s filmed in a hypnotic and engaging way, with strong use of color, all of which are induction techniques. And again, the main character is living out a dream world in an alternate persona, wondering about the purpose of the mysterious blue key. So whether this movie was intended to be symbolic of a mind controlled victim’s world as some people believe, I don’t know, but I figured I’d throw it in here anyway, what the hell.



The Game – 1997. Michael Douglas, Deborah Kara Unger, Sean Penn.

Probably not coincidentally ;) we have a second David Fincher movie dripping in mind control symbolism. While “Fight Club” was more of a program reinforcer/triggerer, “The Game” seems to have much of the symbolism you’ll find in mind control research – just for the sake of it. I can’t say with certainty what purpose it serves. But it’s still interesting, nonetheless.

For his 48th birthday present, the extremely wealthy and emotionally cold Nicholas Van Orton (Douglas) receives an enigmatic present from his wayward younger brother Conrad (Penn) – an invitation to contact Consumer Recreation Services, known as CRS. It’s to “play a game”, and promises to be the best thing that could ever happen to him. See, you don’t play the game. The game plays you. Initially dismissive, Van Orton later changes his mind, pays CRS a visit, reluctantly partakes in hours worth of paperwork and disclaimers, psychological testing and background checks…and then the fun begins. What is the Game? Like “The Matrix” you can’t be told…you just have to see it for yourself. What’s the purpose of the Game? Like “eXistenZ” you have to play it to find out. Van Orton soon finds himself immersed in the biggest mind f*** he’s ever experienced, and it soon becomes apparent things may no longer be “just a game.”

Half the fun of this movie is not knowing what exactly is going on, and who’s really who, and what’s really what, so for that reason I won’t reveal any spoilers, not even with a “warning!” But I will point out the very obvious mind control symbolisms littered throughout the movie:

The Keys. Van Orton is told by CRS that a big part of the game involves “finding keys” along the way…that will unlock something. He won’t know what until he gets there. But be on the lookout for keys. True to their word, keys do figure prominently throughout the movie, with younger brother Conrad finding an entire glove compartment full of them at one point. Soon after, in an upcoming scene we get…

White Rabbit. – Jefferson Airplane’s classic Alice in Wonderland drug trip tune, “White Rabbit” plays about halfway through the movie, right when things are taking a dark turn. As noted, Alice in Wonderland, reality vs. illusion, etc. is classic in mind control.

“Keep Your Eyes Open” and an alternate version of “Open Your Eyes.” When Van Orton tries to find out what the Game is from another wealthy fat cat who played it, he is told “Do you want to know what it is?” (Just like Morpheus in “The Matrix” – he even leans forward in his chair as he says it.) Then the bible is quoted: John 9:25. “Whereas once I was blind, now I can see.” That’s all he is told. The Game will “open your eyes,” indeed. Later, when he is receiving instruction about the keys and their purpose – via a hijacked financial program on his TV set – he is told ”...so keep your eyes open.” (See “Fight Club”, above, for more on this.) Open your eyes and look for the key. It’s just amazing how many “mind control” movies utilize this phrase, or versions of it, as well as the key symbolism.

In “Alice in Wonderland,” Alice begins her journey by following the white rabbit who’s not happy to have her there, and who’s in quite a hurry to get somewhere. They tumble down the rabbit hole, and so it all begins. In “The Game” we have an alternate version of this – the game officially begins when Van Orton inadvertently causes his waitress to quit. As she storms off, he’s handed a message by a mysterious stranger that simply says, “Don’t Let Her Get Away.” He gets up and runs after her – but she won’t stop. She’s pissed, and tells him to f*** off, so he has to follow along after her at a fast pace, whether she wants him there or not. And that’s the start of it all. From there they find themselves in a stuck elevator – elevators are one main mind control technique – and onto the rest of their adventure.

On imdb.com, it’s mentioned that one of David Fincher’s trademarks is the use of suicide – either an actual suicide, or an attempt. Suicide figures prominently in this movie as well, and many mind control victims are instilled with suicide programming.

What it all means, I don’t know. But the symbolism is clearly there. I just can’t say with certainty how it would be used, or by who. But it is there.



The Butterfly Effect – 2004. Another movie with mind control symbolisms and metaphors would be “The Butterfly Effect”, from 2004, starring Ashton Kutcher. The title alone, with butterfly in it, has two meanings: On the surface, it’s about the chaos theory; the secondary meaning could be representative of “Monarch” mind control programming, supposedly a subdivision of sorts of MK Ultra. And the movie as a whole is supposedly a representation of the traumas inflicted on children when they’re undergoing Monarch programming by their handlers, (being molested / used in porn films, having their pets killed, etc., which are things that are featured in this movie) as well as the after effects of this – turning to prostitution and drugs, alternate personas, black out periods, no sense of time, dying young, etc. This movie is a bit on the heavy side, which surprised people who weren’t expecting a movie like this from someone like Ashton Kutcher, but it’s definitely worth mentioning for its possible double meaning mind-control themes.



Last but not least I want to mention the 2004 movie Eternal Sunshine of the Spotless Mind. Another favorite of mine that we own, it stars Jim Carrey, Kate Winslet, Tom Wilkinson, Kirsten Dunst and Elijah Wood, with a screenplay by the brilliant Charlie Kaufman. Joel (Carrey) and Clementine (Winslet) have just ended their tumultuous relationship, and Clementine impulsively decides to have the entire debacle erased from her memory, courtesy of the memory erasing company, “Lacuna.” Joel signs up to have the same procedure done, but as the memories begin to get wiped out, he realizes that he still loves her…and fights to keep his memories.

The reason I mention this movie in the mind control category is because of one simple line, which made me sit up and take notice. “Meet me at Montauk.” Montauk Point, on Long Island, is notorious for its mind control experimentation and government black ops projects that have gone on at its now defunct military base. In doing the research you’ll uncover books and articles written by those who claim to have been involved, (“The Montauk Boys”) or who have at least dug around and investigated it. “Eternal Sunshine” revolves around a mind altering procedure designed to wipe out memories and create new lives – and in Clementine’s case, even a new “identity”, as she changes her name to Tangerine – and Joel’s last words to Clementine as the final memory of her is erased is the whispered “Meet me at Montauk….”

They do meet up at Montauk, with Joel abandoning his plans to go to work on an impulse in order to catch a train out to the Point, not knowing why he’s doing that. Reminds me of a subconscious mind control command put into place that gives the target a maddening urge to do something that makes no sense. Clementine and Joel cross paths, and even though they no longer consciously remember each other, they’re oddly drawn to each other once again. This also reminds me of mind control targets who’ve been programmed and let loose out into the world, crossing paths with other targets that they know as their “alternate selves”, feeling a strange draw to them, but with no conscious recollection of anything on the surface.

This is an excellent movie, one of my personal faves, and highly recommended!



For further reference:

Operation Open Eyes: Mind Control In Amerika – Five Easy Steps to Create a Manchurian Candidate – Gunther Russbacher (http://www.rumormillnews.com/operation.htm). An Overview of the selection and creation of some government groups’ mind control victims by Gunther Russbacher, who used to be second highest in command in the CIA but who has since had his memory “erased”. He wrote the pieces of what would become this article while in prison and slipped them out to his then-wife Rayellen Allen, who has compiled it and presents it on her website, Rumor Mill News. I find the reference to “open eyes” in light of the realization about the trigger phrase “Open your eyes” to be pretty interesting.

Project Monarch – Ron Patton. Overview (http://www.aches-mc.org/monarch.html) of Project MK Ultra government sponsored mind control

The Illuminati Formula For Creating a Totally Undetectable Mind Control Slave – Fritz Springmeier and Cisco Wheeler. Hands down the single most detailed and comprehensive source on Illuminati/occult based mind control. Outlines the techniques that are supposedly employed to compartmentalize the mind, how the systems are set up within the mind, what the trigger words and number codes are, (sometimes minus a few words or numbers so as to not trigger programmed people who may be reading) as well as information regarding electronic mind control and implants. It’s like a handbook in a way. Not for the faint of heart. Recommend easing your way into the subject with lighter fare first if you are new to the topic.

[Zen]

Man, you guys are blowing my mind!!!

You've got some great stuff here.

Been reading on your board and am getting lost in it.

Where's this gormworm? Who is he? Man, he's blowing me away.

Wherever you are man, want to hear more from you!!

Hope you're ok and the feds didn't get ya.

[Project]

Gormworm lives in a homemade bunker somewhere in Nevada... he pops in and out, due for an appearance soon methinks... I think he has to go to the library for access.

[Topper]

Nutz I just got disconnected by unknown over what I tried to add to this
thread.

Allow me to say that I'm listening to an old Liberace CD with the London Philharmonic Orchestra
Guess my fan club doesn't approve.

[Alpha]

Nutz I just got disconnected by unknown over what I tried to add to this
thread.

Allow me to say that I'm listening to an old Liberace CD with the London Philharmonic Orchestra
Guess my fan club doesn't approve.

Topper, would love to hear what you have to add hear....when you have time do try again!!

[Topper]

There isn't that much I can add that Cathy and Mark haven't experienced

Years ago I met Cathy over goats in the house they where renting in Alaska
before writing her book which I can add most of the missing timelines
from 1953 to today as my initials are MK and my mother worked for the VA Mental hospital in Tacoma when I was being tested and druged ... all courtesy of my CIA father's disappearance and my paranormal talents.

I've experienced over 50 years of wiretaps and gathered over 20 years of classified documentation to the amazement of the Austin FBI who instructed me to go home saying "None of it officially happened, forget it all"

Ha Ha how do you forget a lifetime of coersive tactics from postal intercepts
to electronic surviellance? I can only laugh, why? I'm alive and none of the manchurian's they sent after me to take me out worked ... I ended up using my talents to deactive em.

[Topper]

From what I've gathered and experienced I'd have to say that global unity is
paramount for our survival in outer space.
Beyond that I'm not willing to share what I know

[williamstade]

I still do not know what to make of this stuff. I read a thread like this and, for the moment, particularly Alpha's entries, just silently click, click, lick with recognition in ways that stories of some SRA (satanic ritual abuse) Internet posts do.

I remember speculating months ago hat we are programmed in a dance of sorts to meet on the Internet and in "real life" to actually trigger each other all the while the dance being at least roughly choreographd in what I will call a paranormal dimension. The realm of smoke and mirrors hat forced entry into our minds when we were children.

In any case, I hope that their plan cllapses like a house of cards. hat's all their is to do wih it if I had my way.

William

[Project]

If people would exercise critical thinking rather than suspension of belief we would all be a much stronger and self-deterministic people.

[williamstade]

[SIZE="2"]Ok. Somebody tell me to put a sock in it if this has already been discussed on this thread. You see, I have limited eyesight and that provokes ome laziness in reading for me while I can when I truly, truly have to.

I looked over this thread and did not see it mentioned yet but might have overlooked it. There is an overlap between the psychiatric diagnosis of Dissociative Identity Disorder (formerly Multiple Personality Disorder) and Trauma based mind control. I have been on lists where people speak about their Dissociative Identity Disorder struggles and its birth under horrid experiences of child abuse. The resulting splintered psyche continues along with the individual taking the forms of distinct multiple personalities within the single individual.

Given that these people often describe their child abuse in terms of satanic ritualized cult abuse might help to lend insight into one of author Scott Peck's later works in hich he started to look at Dissociative Identity Disorder in terms of what for a long, long time now has been referred to as pirit possession. With the exception that satan (and similar ilk) no longer wait for the seduced soul. They actually force entry into innocent children.

I apologize again if this has already been broached and for the moment will call it a working hypothesis.

William /SIZE]

[williamstade]

No Illyria you didn't use the wrong words. I found the information I was reading upsetting about Cathy O'Brian. I recall a story of 2 young boys who were being satanically molested in the NEast somewhere who even had the help of an ex-green beret..I think his name was Bo something and the courts protected the fathers satanic and sadistic ritual abuse of them. Very very disturbing material.

Cathy O'Brian's story is one that is more than disturbing on so many levels that I had to think about the fact things like that can be written to achieve the very purpose they are written about. The fantastic placement of Presidential names is so "out there"...I mean I don't even want to repeat the porch sequence written about Gerald Ford and her at 6 yrs of age..when her father "sold her". This is serious stuff from so many angles.

I am amazed a book like this would not be challenged for libel even if those were guilty parties..the whole thing is so fantastic that it seems to be an adult-child Alice in Wonderland story. Seems that stories like this might be useful for unearthing a sicko as well as a possible implement of mind control itself.

I have not "processed" this intensely disturbing material. Like I said above, if this is all true, then we have to question who we are with greater significance, because if this is the habit of widespread NWO business...it is sick and self destructive well beyond revulsion that will pass a healthy person out. Psyche shock is an understatement.

Just a side note here, anyone notice the spate of gross out and reality tv shows lately and the reveleance here to mass shock techniques? Sort of a mass partitioning of the mind may be the result to some of this style tv viewing.

Hi. Yeah. In reference to your last paragraph, I believe that it is no coincidence that the word programming applies to both TV/Radio and computer languages. TV/Radio (& Movies) instill ideas in us to at leat some degree in a similar manner that computer programs provide computers information to work with. Not a precise analogy however I do see some resemblance.

Cathy O'Brien might have no worries of any kind of libel under the premise that it wouldn't be widely enough read much less widely accepted and believed in any threatening numbers. Perhaps like UFO literature as well.

One guy's opinion.

William

[williamstade]

[SIZE="2"]Ok. Somebody tell me to put a sock in it if this has already been discussed on this thread. You see, I have limited eyesight and that provokes ome laziness in reading for me while I can when I truly, truly have to.

I looked over this thread and did not see it mentioned yet but might have overlooked it. There is an overlap between the psychiatric diagnosis of Dissociative Identity Disorder (formerly Multiple Personality Disorder) and Trauma based mind control. I have been on lists where people speak about their Dissociative Identity Disorder struggles and its birth under horrid experiences of child abuse. The resulting splintered psyche continues along with the individual taking the forms of distinct multiple personalities within the single individual.

Given that these people often describe their child abuse in terms of satanic ritualized cult abuse might help to lend insight into one of author Scott Peck's later works in hich he started to look at Dissociative Identity Disorder in terms of what for a long, long time now has been referred to as pirit possession. With the exception that satan (and similar ilk) no longer wait for the seduced soul. They actually force entry into innocent children.

I apologize again if this has already been broached and for the moment will call it a working hypothesis.

William /SIZE]

As for my "force entry" remark. Given the very limited amount of conversation on Dissociated Identities Vs. spiri possession I would just like to phrase the remark that way instead.

William

[Alpha]

I don't think DID/MPD has been discussed extensively in this thread William, although it has been referred to in some others I beleive.

What you write is true and I beleive that the PTB know more about this disorder and how to manipulate/create it than we'll ever know about.

There are very few "true" documented cases of DID/MPD out there.

Interestingly enough, the alter personalities do not often know or remember what the others do, think, etc.....perfect for some applications isn't it?!

I have some good material stored on this topic somewhere....I'll try to dig it up in the next little while.....

[williamstade]

I don't think DID/MPD has been discussed extensively in this thread William, although it has been referred to in some others I beleive.

What you write is true and I beleive that the PTB know more about this disorder and how to manipulate/create it than we'll ever know about.

There are very few "true" documented cases of DID/MPD out there.

Interestingly enough, the alter personalities do not often know or remember what the others do, think, etc.....perfect for some applications isn't it?!

I have some good material stored on this topic somewhere....I'll try to dig it up in the next little while.....

Good day Alpha. If you do kind anything on the topic than I'd like to read it. Thank you.

Since writing my last few posts here I have wondered about the element of fantasy prone-ness I may have lapsed into. This I am currently chalking up to an amount of "on the fence" perspective I still have.

Yep. The notion of separately operating personalities in a single individual that do not have recall of each other has some insidious applications from what I have read. I remember as a child hearing the adults saying, "What is this world coming to?" I would understand what they meant but then move on to whatever I was playing with. Now, at 37, I m asking the same question. Repeating themes I guess.

Nonetheless, hope you are having a good day,

William

[Project]

William, please order and read the Franklin coverup... it will answer most of your questions... It is most highly recommended on this subject... it is very disturbing, but gives motive and means to the crime.

[Topper]

I know very little on this subject ... you might try a few websites on the topic of MKUTLRA.

I was lucky enough to be one hard headed kid ... when tested for a more advanced area of PK research under the MK umbrella

[williamstade]

Not sure what I may be caught up in here. I had never heard of The Franklin Coverup. And I hhave not read about the MKUltra stuffin quite awhile. I hate digging up this lunacy.

William

[Alpha]

William, please order and read the Franklin coverup... it will answer most of your questions... It is most highly recommended on this subject... it is very disturbing, but gives motive and means to the crime.

Project....is this what you're referring to?

Franklin Coverup (http://www.amazon.com/gp/product/0963215809/104-1736258-4165568?v=glance&n=283155)

I haven't read this one .....yet!! ;)

Yeah, WS....this stuff can and does blow the mind....lunacy it is, however what is further lunacy is that it actually exists and has existed for a very long time!!

[Judee]

Screen Propaganda, Hollywood and the CIA
By Julie Lévesque
Global Research, February 28, 2013
Url of this article:
http://www.globalresearch.ca/screen-propaganda-hollywood-and-the-cia/5324589



“One of the most pervasive trends in 21st century western culture has become somewhat of an obsession in America. It’s called “Hollywood history”, where the corporate studio machines in Los Angeles spend hundreds of millions of dollars in order to craft and precisely tailor historical events to suit the prevailing political paradigm.” (Patrick Henningsen, Hollywood History: CIA Sponsored “Zero Dark Thirty”, Oscar for “Best Propaganda Picture”)

Black Hawk Dawn, Zero Dark Thirty and Argo, those are only a few major recent productions showing how today’s movie industry promotes US foreign policy. But the motion picture has been used for propaganda since the beginning of the 20th century and Hollywood’s cooperation with the Department of Defense, the CIA and other government agencies is no modern trend.

With Michelle Obama awarding Ben Affleck’s Argo the Oscar for best movie, the industry showed how close it is to Washington. According to Soraya Sepahpour-Ulrich, Argo is a propaganda film concealing the ugly truth about the Iranian hostage crisis and designed to prepare the American public for an upcoming confrontation with Iran:

Foreign policy observers have long known that Hollywood reflects and promotes U.S. policies (in turn, is determined by Israel and its supporters). This fact was made public when Michelle Obama announced an Oscar win for “Argo” – a highly propagandist, anti-Iran film. Amidst the glitter and excitement, Hollywood and White House reveal their pact and send out their message in time for the upcoming talks surrounding Iran’s nuclear program [...]

Hollywood has a long history of promoting US policies. In 1917, when the United States entered World War I, President Woodrow Wilson’s Committee on Public Information (CPI) enlisted the aid of America ’s film industry to make training films and features supporting the ‘cause’. George Creel, Chairman of the CPI believed that the movies had a role in “carrying the gospel of Americanism to every corner of the globe.”

The pact grew stronger during World War II [...] Hollywood ’s contribution was to provide propaganda. After the war, Washington reciprocated by using subsidies, special provisions in the Marshall Plan, and general clout to pry open resistant European film markets [...]

As Hollywood and the White House eagerly embrace “Argo” and its propagandist message, they shamelessly and deliberately conceal a crucial aspect of this “historical” event. The glitter buries the all too important fact that the Iranian students who took over the U.S. Embassy in Tehran , proceeded to reveal Israel ’s dark secret to the world. Documents classified as “SECRET” revealed LAKAM’s activities. Initiated in 1960, LAKAM was an Israeli network assigned to economic espionage in the U.S. assigned to “the collection of scientific intelligence in the U.S. for Israel ’s defense industry” (Soraya Sepahpour-Ulrich Oscar to Hollywood’s “Argo”: And the Winners are ... the Pentagon and the Israel Lobby)

For a real account of the Iranian hostage crisis, a CIA covert operation, Global Research recommends reading Harry V. Martin’s article published in 1995: The Real Iranian Hostage Story from the Files of Fara Mansoor:

Fara Mansoor is a fugitive. No, he hasn’t broken any laws in the United States. His crime is the truth. What he has to say and the documents he carries are equivalent to a death warrant for him, Mansoor is an Iranian who was part of the “establishment” in Iran long before the 1979 hostage taking. Mansoor’s records actually discount the alleged “October Surprise” theory that the Ronald Reagan-George Bush team paid the Iranians not to release 52 American hostages until after the November 1980 Presidential elections [...]

With thousands of documents to support his position, Mansoor says that the “hostage crisis” was a political “management tool” created by the pro-Bush faction of the CIA, and implemented through an a priori Alliance with Khomeini’s Islamic Fundamentalists.” He says the purpose was twofold:

To keep Iran intact and communist-free by putting Khomeini in full control.
To destablize the Carter Administration and put George Bush in the White House. (Harry V. Martin, The Real Iran Hostage Crisis: A CIA Covert Op)
Zero Dark Thirty is another great silver screen propaganda piece which spurred outrage earlier this year. It exploits the horrific events of 9/11 to present torture as an effective and necessary evil:

Zero Dark Thirty is disturbing for two reasons. First and foremost, it leaves the viewer with the erroneous impression that torture helped the CIA find bin Laden’s hiding place in Pakistan. Secondarily, it ignores both the illegality and immorality of using torture as an interrogation tool.

The thriller opens with the words “based on first-hand accounts of actual events.” After showing footage of the horrific 9/11 attacks, it moves into a graphic and lengthy depiction of torture. The detainee “Ammar” is subjected to waterboarding, stress positions, sleep deprivation, and confined in a small box. Responding to the torture, he divulges the name of the courier who ultimately leads the CIA to bin Laden’s location and assassination. It may be good theater, but it is inaccurate and misleading. (Marjorie Cohn, “Zero Dark Thirty”: Torturing the Facts)

Earlier this year the Golden Globe awards made some analysts criticize Hollywood’s dark “celebration of the police state” and argue that the real Golden Globe winner was the military-industrial complex:

Homeland won best TV series, best TV actor and actress. It IS a highly entertaining show which actually portrays some of the flaws of the MIIC system.

Argo won best movie and best director. It glorifies the CIA and Ben Affleck spoke with the highest praise for the CIA.

And best actress went to Jessica Chastain of Zero Dark Thirty, a movie that has been vilified for propagandizing the use of torture.

***

The Military Industrial Intelligence Complex is playing a more and more pervasive role in our lives. In the next few years we’ll be seeing movies that focus on the use of drone technology in police and spy work in the USA. We’ve already been seeing movies that show how spies can violate every aspect of our privacy– of the most intimate parts of our lives. By making movies and TV series that celebrate these cancerous extensions of the police state Hollywood and the big studios are normalizing the ideas they present us with– lying to the public, routinely creating fraudulent stories as covers for what’s really going on. (Rob Kall cited in Washington’s Blog, The CIA and Other Government Agencies Dominate Movies and Television)

All these troublesome Hollywood connections have been examined in an in-depth report Global Research published in January 2009: Lights, Camera... Covert Action: The Deep Politics of Hollywood. The article lists a great number of movies in part scripted for propaganda purposes by the Defense Department, the CIA and other government agencies. It is interesting to note that this year’s Oscar-winning director Ben Affleck cooperated with the CIA in 2002 as he starred in The Sum of All Fears.

Authors Matthew Alford and Robbie Graham explain that compared to the CIA, the Department of Defense “has an ‘open’ but barely publicized relationship with Tinsel Town” which, “whilst morally dubious and barely advertised, has at least occurred within the public domain.” Alford and Graham cite a 1991 CIA report revealing the sprawling influence of the agency, not only in the movie business but also in the media where it “has relationships with reporters from every major wire service, newspaper, news weekly, and television network in the nation.” It was not until 1996 that the CIA announced it “would now openly collaborate on Hollywood productions, supposedly in a strictly ‘advisory’ capacity”:

The Agency’s decision to work publicly with Hollywood was preceded by the 1991 “Task Force Report on Greater CIA Openness,” compiled by CIA Director Robert Gates’ newly appointed ‘Openness Task Force,’ which secretly debated –ironically– whether the Agency should be less secretive. The report acknowledges that the CIA “now has relationships with reporters from every major wire service, newspaper, news weekly, and television network in the nation,” and the authors of the report note that this helped them “turn some ‘intelligence failure’ stories into ‘intelligence success’ stories, and has contributed to the accuracy of countless others.” It goes on to reveal that the CIA has in the past “persuaded reporters to postpone, change, hold, or even scrap stories that could have adversely affected national security interests” [...]

Espionage novelist Tom Clancy has enjoyed an especially close relationship with the CIA. In 1984, Clancy was invited to Langley after writing The Hunt for Red October, which was later turned into the 1990 film. The Agency invited him again when he was working on Patriot Games(1992), and the movie adaptation was, in turn, granted access to Langley facilities. More recently,The Sum of All Fears (2002) depicted the CIA as tracking down terrorists who detonate a nuclear weapon on US soil. For this production, CIA director George Tenet gave the filmmakers a personal tour of the Langley HQ; the film’s star, Ben Affleck also consulted with Agency analysts, and Chase Brandon served as on-set advisor.

The real reasons for the CIA adopting an “advisory” role on all of these productions are thrown into sharp relief by a solitary comment from former Associate General Counsel to the CIA, Paul Kelbaugh. In 2007, whilst at a College in Virginia, Kelbaugh delivered a lecture on the CIA’s relationship with Hollywood, at which a local journalist was present. The journalist (who now wishes to remain anonymous) wrote a review of the lecture which related Kelbaugh’s discussion of the 2003 thriller The Recruit, starring Al Pacino. The review noted that, according to Kelbaugh, a CIA agent was on set for the duration of the shoot under the guise of a consultant, but that his real job was to misdirect the filmmakers, the journalist quoted Kelbaugh as saying [...] Kelbaugh emphatically denied having made the public statement. (Matthew Alford and Robbie Graham, Lights, Camera... Covert Action: The Deep Politics of Hollywood)

During the Cold War the CIA’s Psychological Strategy Board (PSB) agent Luigi G. Luraschi was a Paramount executive. He “had secured the agreement of several casting directors to subtly plant ‘well dressed negroes’ into films, including ‘a dignified negro butler’ who has lines ‘indicating he is a free man’”. The purpose of these changes was “to hamper the Soviets’ ability to exploit its enemy’s poor record in race relations and served to create a peculiarly anodyne impression of America, which was, at that time, still mired in an era of racial segregation.” (Ibid.)

The latest award-winning movie productions show that the Manichean view of the world put forward by the US foreign policy agenda has not changed since the Cold War. The Hollywood-CIA alliance is alive and well and still portrays America as the “leader of the free world” fighting “evil” around the world:

The interlocking of Hollywood and national security apparatuses remains as tight as ever: ex-CIA agent Bob Baer told us, “There’s a symbiosis between the CIA and Hollywood” [...] Baer’s claims are given weight by the Sun Valley meetings, annual get-togethers in Idaho’s Sun Valley in which several hundred of the biggest names in American media –including every major Hollywood studio executive– convene to discuss collective media strategy for the coming year. (Ibid.)

[CoryBlake]

Mind Control Themes and Programming Triggers in Movies

By: Carrisa Conti
(Labyrinth, The Manchurian Candidate, Fight Club, Eyes Wide Shut, Mulholland Drive, The Game, The Butterfly Effect, Eternal Sunshine of the Spotless Mind; The Game)


A brief overview, taking some excerpts taken from my Harry Potter article so that the reader can better understand what I’m talking about with the movies in this particular section: The premise of government / occult based mind control is to compartmentalize the brain, and then use techniques to access the different sections of the brain while the subject is hypnotized.

One technique to access the hypnotic state can be achieved by utlizing movement, via suggestions that lead the subject up and down stairways, elevators, and escalators, down hallways and corridors, through doors and portals, even riding along on trains – it’s all about movement. Up, down, left, right, moving in, coming out, here there and to and fro, as the hypnotist uses trigger words and phrases to guide the subject around through the different compartments of their mind and sink them into a deep trance.

Entire systems can be embedded into a person’s mind, each with its own theme, access codes and trigger words. Some of the most common and popular symbols/themes in use seem to be mirrors, porcelain / harlequin masks, rainbows, butterflies, owls, keys, carousels, willow trees, tornados, spirals / helixes, castles, rings, Alice in Wonderland, Peter Pan and The Wizard of Oz. Numbers, colors and music are also heavily used for additional programming and accessing specific compartments of the brain, and are just as important.

In some of the movies I look at in this section, we’ll find ample use of several of the above-mentioned symbolisms.

Programming centers around the concept of inverted reality and illusion, where nothing is at it appears to be, where up is down, in is out, black is white, pain is pleasure, and reality and dreams are blurred. Word play and puns also factor in heavily, as they engage areas of the brain that are used during programming.

A mind splitting into alternate personas usually occurs when the victim is subjected to repetitive abuse and horrors it can’t cope with. The mind fractures into compartments designed to “house” the traumas that the main personality can’t handle. These alternate personas can be brought to the forefront of the mind when needed to take on whatever trauma is happening. The abuse can happen to a person (usually child) in the every day real world, (usually at the hands of abusive parents and caretakers). However, a naturally fractured mind can be a very messy thing, especially when it occurs as an inadvertent coping reflex. There’s no “organization” behind it, and the person will usually have a hefty dose of mental issues to go along with it, preventing them from being a fully functioning member of society. They’re unpredictable, and the mind is a mess.

On the other hand, there are certain “Powers That Be” who have perfected the technique of artificially splitting and programming people’s minds through the use of technology, drugs and electroshock. In this case, the targets are abduction victims, military personnel used for experimentation, society’s throw away kids plucked from jails and detention centers, Hollyweird performers, etc., among the various people and groups used.

A mind that has been split through organized, purposeful means by those with the skills is one that is “neat and tidy.” In these cases, the artificially split mind is run exactly like a computer program, complete with its own theme and trigger codes and access words. It can be turned on and off like a switch, and the programmer / handler has complete control over what the system themes and trigger words will be. The alternate persona won’t emerge unless the trigger word / song / phrase is given.

The victim is fully functional in society and won’t even know they have this aspect of themselves buried within their subconscious. For all intents and purposes, they are the perfect agent. There’s little, if any, messy psychological issues to throw a wrench in the works, and minimal chance of the alternate being triggered and activated when it’s not needed.

In these artificially created / black ops mind control cases, victims are used for various purposes. Sexual slaves, assasins / “agent provocateurs”, controlled performers for $$ making, and so on. It’s been said that many, many of the actors, actresses, models and pop singers that you see strutting about in Hollyweird are actually programmed multiple victims with controlling handlers. After I learned this, I started paying closer attention to the behavior the stars and starlets and singers that are paraded in front of us. And damn if it didn’t seem to be true…once you know what to look for. And the clues can be found in music and movies as well.

I’ve come to realize lately that with regards to the many “mind control symbolisms” outlined in the following movies, often times, there’s another layer or meaning to it.

It’s not “just” about mind control programming and triggers; it’s also about relaying archetypes and higher level, 4th density concepts, of both an STO and STS nature. We just watched two movies within the past few day: “The Game” on DVD, and “V For Vendetta” in the theater, and it was these two movies specifically that made me realize this idea. My boyfreind and I bounced ideas off each other and came to realize that in order for movies with higher level, meaningful esoteric concepts to be “allowed” out there, it’s almost as if they need to be intertwined around “negative” STS concepts and even those pesky “mind control symbolisms and triggers.”

This seems to be the case with the Matrix trilogy for instance, mentioned in my Fake Reality section. I held back from doing a write up on The Matrix only because there’s just too much to say, way too many layers and meanings…both of a “positive” nature and “negative.”

Many people out there who are clued in to things easily picked out the mind control themes and symbols embedded throughout The Matrix, yet, there’s no denying the higher esoteric, 4th density level concepts interlaced amongst them. It’s a bit confusing, but it seems maybe that’s the way it has to be, in order to be “allowed.” The Matrix was released in theaters on March 31, 1999 – and watching the scene where Neo and Trinity show up, all leather and trench coats, wearing sunglasses, loaded down with weapons, shooting everything up – with the realization that the Columbine Highschool massacre occured three weeks later – you of course have to wonder. Did it act as a trigger of sorts? Seems to me it’s highly possible. All the blame and focus for the “trench coat mafia” went on Marilyn Manson, but who was even bothering to look at The Matrix?

A movie alone can’t “make” somebody do something – we’re all responsible for our own actions, after all. But if somebody is on psych meds, comes from a military family, has been instilled with mind control programming, and lives near Denver, Colorado, the conspiracy capital of the United States – which is the case with the Columbine shooters – then yes, it’s very likely that the movie helped to trigger and encourage their latent programming. “Bad” symbolisms offsetting the “good.” Keeps things “balanced”, makes it so these movies will be allowed.

In the case of “The Game”, there was a high emphasis on “the eternal question,” and “what it is” – same as in The Matrix, a word for word quote even; There was an emphasis on keeping your eyes open and “looking for the key.” The Grail, the hero’s quest, journey; the soulless man who learns how to connect with people again and stops being such an a**hole. All high level concepts…interlaced with mind control symbolisms and triggers. Sometimes overlapping. Keys are a mind control symbolism representing locked compartments of the mind, requiring trigger codes. It can also represent the key to breaking through to something higher.



So, with that in mind…Being that there are scores of movies that involve mind control themes and symbolisms, I’ll just cover the big ones that I know of. Using this as a guide, along with the additional research materials I recommend afterwards, it should be enough so that the reader can begin deciphering on their own.



Labyrinth – 1986. David Bowie, Jennifer Connelly.

I love this movie, I truly do, despite the fact that it’s one giant symbolic MK Ultra / Illuminati mind control trip from start to finish. Sarah (Connelly) is a bratty, spoiled teen lost in a child’s fantasy world of make believe, day dreaming her time away with her dolls and puppets and fairytales. While stuck babysitting once again for her little brother Toby, she impulsively wishes for the Goblin King (Bowie) to come and take him away. And much to her shock, he appears…and obliges, despite her change of heart and pleading protests. Now she must navigate her way through the mysterious Labyrinth, where nothing is at it seems to be, and get to the Goblin City to rescue Toby before time runs out.

The plot itself is another version of The Wizard of Oz – young girl sets out on an adventure to get to a particular destination (Goblin City = Emerald City) via the Labyrinth = Yellow Brick Road. And with the help of her ragtag group of misfit friends that she picks up along the way, she gets into adventures, navigates obstacles in her path, and learns important lessons about herself. And all the while, as the entire adventure is just a dream…or is it? On the DVD insert, it says, “Is it all a dream, like Alice’s Adventures in Wonderland, or Dorothy’s in The Wizard of Oz? In my own mind it is. But it’s all rather ambiguous – dream or reality? Fantasy or fact?” Alice in Wonderland and The Wizard of Oz are two of the biggest mind control themes in use, interestingly enough, due to all their ready-made symbolisms, use of “inverted reality”, reality vs. dream and illusion, and word play. So I find it no coincidence that this movie cites both as being influences.

What’s confusing to me is that this movie, with all of its obvious references to MK Ultra and other occult esoteria could have spawned from Jim Hensen, who is supposed to be the kind, loving creator of Sesame Street and the Muppets. I don’t get it. Hensen seemed like such a neat guy, and every quote that imdb.com featured about him was amazing – very spiritual, talking about meditating every day and not judging others and making sure to be full of love and gratitude, and to give blessings to those he’s not getting along with or has negative feelings for. It’s so…confusing! It makes me start to doubt what I’m seeing when I look at Labyrinth, but all I can say is, the following speaks for itself. There must have been another aspect of Jim Hensen that maybe we’re not aware of – some sort of secret society ties, something that could have provided the background foundation for what appears in this movie. Either that, or he was being “influenced”, to put it delicately, without realizing he was. Meaning, someone/something was feeding him ideas, and he didn’t even realize the full, true meaning behind it all.


Key Elements

The White Owl – Known as Moloch in the Illuminati occult circles. Moloch is worshipped as a deity, and ritual sacrifices are done in its honor. The white owl of Moloch is also used in the rituals at Bohemian Grove, as documented by Alex Jones.Owls are also linked to alien activity, symbolically representing the Grays. Many abductees will report having “dreams” with owls, which are actually screen memories of something else.

Jerreth, the Goblin King – Played by David Bowie. Jerreth stems from Jared, which is Hebrew for “descendent” (bloodline, descendent of the Gods when looked at in the context of his alter ego, the white owl Moloch.) The white owl morphs into Jerreth, who is the Goblin King, and who wields the intriguing ball that he twirls about on his hands. At one point Jerreth offers Sarah the ball in exchange for Toby, and when she refuses, it turns into a snake which he tosses at her. Snake – reptilians, tying back into Moloch and the Gods, as well as alien abductors/controllers. On a side note, a near identical image of Jerreth with the glass ball in his hands can be found in a picture drawn by Credo Mutwa, leader of the Zulu Nation. The picture depicts the Nordic alien “Gods” who supposedly visited the Zulu tribe eons ago; they were tall, blond, and blue eyed…and wielded a ball in their hands that was linked to them being able to appear and disappear…exactly as Bowie is depicted in the movie. There’s also another mention of something near-identical in the Dolores Cannon book, “The Legend of Starcrash” and the blond / blue eyed aliens with their techno-gadget ball that manipulated reality.

Taking Toby – Not overlooking the obvious, the plot centers around the baby being stolen by the Illuminati-esque controller / white owl; could be representative of the baby / child victims who go missing every year via the supposed “illuminati” abductions to be used for a host of nefarious purposes, as well as childhood alien abductions.

Control over time – Jerreth is able to change the clock and control time in the Labyrinth, having the upper hand with Sara, as mind control handlers do with their real life victims. Hyperdimensional/alien controllers also have control of time, being that time doesn’t exist outside of 3rd density.

The Labyrinth – The labyrinth itself, with all its trickery and illusion, where everything keeps changing and nothing is at it appears to be, resembles the screwball world of the mind control victim’s mind, which has been split and shattered into multiple personalities and compartments.

* The “Oubliette” – “It’s a place you put people…to forget about them!” explains Hoggle. In the Labyrinth, Sarah falls down into a pit known as an oubliette, and it represents a compartment in the multiple’s mind created to house the ugly traumas they can’t deal with. To get out, Hoggle picks a door off the ground, props it up in the doorway, uses a key to open it one way revealing a junk closet, and then tries again the other way, correctly accessing the way out. All of which is representative of accessing certain compartmentalized areas of the mind with the “right” trigger.

* The warning rocks – At one point, Sarah and Hoggle encounter huge stones designed to issue warnings to “Stop! Turn back before it’s too late!’ and other such threats. These parallel the protective programs designed to keep out anybody trying to break through their programming.

* The two doors – Entering doors into other areas of the minds. The two doors argue back and forth using reverse logic to determine which one is really lying and which one is really telling the truth, in a fast paced, “up is down, yes is no” dialogue designed to confuse and befuddle. “One of us always tells the truth…and one of us always lies!” has a double meaning when you realize that programmed multiples often have a personalities which clash in that way.

The masquerade ball – Porcelain mask / masquerade imagery is another important mind control theme, supposedly used in conjunction with Camelot / Shakespeare programming (and our heroine, Sarah, is lost in her own Camelot / fairytale world, as mentioned) as well as mirrors, and both are featured in this scene. Sarah eats the poisoned peach, just as Dorothy smells the opiate poppies, and is momentarily sidetracked into a dream world masquerade ball. Sarah dances with Jerreth as a love song plays, sung by Bowie, implying a “romantic entanglement” with her controller – not unlike how things often go with real mind control victims and their handlers. The scene culminates with Sarah breaking the mirrored walls to get out.

The MC Escher stairs – at the end of the movie, Sarah is trying in vain to get to Toby via the stairs that go every which way, straight out of an MC Escher drawing. MC Escher imagery is classic in mind control programming due to its heavy use of illusion.

The mirror – at the end of the movie, Hoggle and the rest of the creatures from the Labyrinth appear to Sarah in her bedroom mirror, then manifest for real in her room. More mirror symbolism. Alice through the Looking Glass, the dream world that can be accessed through the mirror. Mirrors are used in occultic/esoteric practices to act as portals into other realms.

Again, Labyrinth leaves me very confused, because Jim Hensen seemed so sweet and innocent, so where and how he came up with all of this is just beyond me, unless he had ties to something the public is unaware of. Jim…we never knew ya!!

[Thanks to the writing of Fritz Springmeier for supplying some of the symbolisms in Labyrinth noted here.]



“The Manchurian Candidate” – 2004. Denzel Washington, Liev Schreiber, Meryl Streep.

After giving a speech about his experiences in the Gulf War, military veteran Captain Ben Marco (Washington) is approached by a member of his former unit, Al Melvin, whom he hasn’t seen in years. Melvin asks him about his memories of the night that their unit was ambushed in the Iraq desert and the three days they went missing. It turns out that Melvin has been having dreams that starkly contrast to the mainstream version of events. He tries to share this with Ben, producing his notebook full of scribblings and disturbing drawings and images that show he’s just hanging on by a thread psychologically. Capt. Marco rejects him and advises him to seek help, but Capt. Marco hasn’t been doing too well himself – living alone, eating Raman soup every night, on meds and seeking psychological treatment from the military hospital. The only one from their former unit that seems to be doing well is Sergeant Raymond Shaw, now a Congressman, who has just been nominated as the VP running mate in the upcoming Presidential election. As Capt. Marco watches the election events unfold on t.v. mouthing word for word the same exact mantra about Raymond Shaw that his former unit members have to say: “Raymond Shaw is the kindest, bravest, warmest, most selfless man I’ve ever met…” we the audience know something is amiss.

If nothing else, see this movie just for Meryl Streep’s performance alone. ! As Senator Eleanor Shaw, she’s the cunning, manipulative, puppet master mother with the incestuous tendencies towards her isolated, loner son, pulling the strings of his career. Playing the role like a rabid Hillary Clinton, she’s a frightening force to be reckoned with, and she’s what makes the movie, in my opinion.


Key Elements

Alternate Personas and Trigger words – “Sergeant Shaw…Sergeant Raymond Shaw…Raymond Prentiss Shaw…” is the specific trigger to snap Raymond into his alter programmed persona. Mind control victims will have various triggers to snap them into their alternate personas, all of which are unknown to the conscious mind, which remembers nothing.

Implants – In the 2004 version, they blatantly feature Raymond Shaw being triggered into his alternate persona, then receiving an implant device in his brain, used for the purpose of controlling / monitoring him. Capt. Marco finds an implant embedded in his left shoulder blade area, and finds one in Raymond’s back as well. Yes, implants are a very real part of mind controlled victim’s lives, and not something you normally see featured so prominently in a mainstream movie.

The Lone Gunman – Raymond’s mother, Senator Eleanor Shaw, calmly explains to Raymond the assassination plot which will allow him to take over once the newly elected President is removed from the picture. The gunman will be none other than the programmed and triggered Capt. Marco. When Raymond curiously asks about Marco’s fate, his mother lovingly explains that he will be killed, because “it’s necessary for the national healing.” A nice wake up call for those out there who still believe that the lone gunmen are regular guys gone crazy, rather than the programmed pawns acting for somebody else’s agenda that they really are.

Switching out the security footage. At the end of the movie after Marco turns the tables and assassinates the newly elected VP Shaw and his mother instead of the Prez, Marco’s “powers that be” friends erase his image from the security footage and replace it with another man’s, covering his butt. Somebody else goes down for the assassination instead of Marco, complete with fabricated story and all, and the public never has a clue. This may seem like nothing to many people who watch it, going over their heads as they forget about it in 30 seconds, but really, how hard would it be to swing something like that in real life? And not just for something big like an assassination, but for anything? When practically everybody has a computer nowadays and the term “photoshopping’ is a new verb in our lexicon, how hard would it be for the Big Boys to fake visual imagery – about anything – when even the average person has the technological capability to do it on a minor scale? It’s a rhetorical question. Nothing about this reality is what we’re told it is, least of all what we’re shown in the media.

Fight Club – 1999. Brad Pitt, Edward Norton, Helena Bonham Carter. Based on the novel by Chuck Palahniuk.

Edward Norton’s character who is never named and is known just as the story’s narrator, is a passive, weak, white-collar, office drone insomniac addicted to support groups who harbors suicidal desires. He’s met his match with Marla Singer (Bonham Carter) another suicidal wayward soul who’s alone in life and has a home in the same support groups. Norton’s upteenth soul sucking business trip takes a turn for the interesting when his airplane seatmate turns out to be Tyler Durden, (Pitt) the cavalier soap salesman with the anarchist, nihilist attitude. After Norton’s condo blows up under mysterious circumstances, he soon pairs with Tyler, moving into a run down abandoned house on Paper Street. Together they form Fight Club, the underground secretive group comprised of everyday schmoes who want to test their manhood by beating the crap out of each other on a weekly basis. Fight Club grows rapidly, taking on a life of its own of epic proportions beyond Norton’s control, spawning Project Mayhem – the anarchist group bent on seeing the destruction of modern society.

Fight Club is a ready-made dream for any mind control programmer when their intended victims are going to be used for “agent provocateur” dirty work, as I will explain below. I don’t really think that Chuck Pahlaniuk deliberately wrote the book to be used as such, (hell, he probably didn’t even think it was going to be made into a movie) but I think that some “powers that be” certainly recognized the potential with the book / movie once it came out. It was a ready-made dream.


Key Elements

Split personality / alternate persona. Edward Norton and Pitt’s Tyler Durden turn out to be the same person in the big surprise twist moment at the end when it’s revealed that Norton is a split personality (translation = compartmentalized multiple). He’s been running around leading two lives for much of the movie without realizing it. Tyler Durden first started out as an “imaginary friend” of sorts, a crutch to help Norton’s character break free of the chains of his meaningless life, but little by little his mind began merging with the imaginary friend until he becomes Tyler Durden, complete with black out periods where he’s running around, doing things he later has no recollection of. This is classic split personality / compartmentalized multiple mind control victim behavior where the pawn is triggered into their alternate, then runs around doing bidding that they later have no knowledge of.

Agent provocateur / self destruct programming. The entire movie reinforces the idea of destructive anarchy, with the goal being the dismantling of society. The last scene of the movie shows skyscraper after skyscraper blowing up and collapsing, Las Vegas hotel TNT style, as Tyler Durden and Marla Singer stand hand in hand, watching it all through the window, and the Pixies song “Where is my mind?” plays. Blow up the credit card companies, set everything back to zero, total chaos, is the intended plan. All of this is mucho bueno for programming pawns that will be used for agent provocateur work, or even “deltas”, used for assassinations and such. At the end of the movie, Edward Norton puts a gun in his mouth and attempts to kill himself. Self destruct suicide programming is a MAJOR factor in most agent provocateurs / deltas after they are done being used and abused. See “The Manchurian Candidate” review earlier in this section for more on this.

“My eyes are open.” – I didn’t catch this until I recently re-watched it from my current perspective with what I know now. But at the end of the movie when Edward Norton is facing off with his alternate persona Tyler Durden, he tells Tyler “My eyes are open…” then puts a gun in his mouth and pulls the trigger. Over the past few years I came to figure out that the phrase “Open your eyes” is a trigger phrase (in fact, it’s the last line of the movie “Vanilla Sky”, which in itself is a remake of the Spanish “Abre los Ojos”, or “Open Your Eyes”…and I include an article at the end of this section regarding mind control called…”Operation Open Eyes”) and in Fight Club, we have Tyler responding back with “My eyes are open.” When you really listen to the dialogue that’s spoken before this line, you’ll see that the line doesn’t really fit. It’s just something tacked on at the end, the phrase preluding the suicide attempt. I don’t even think it’s in the original book. It’s the programmed multiple responding back to the subliminally planted command / trigger phrase of “Open your eyes…” with “My eyes are open…” and obediently following through with the programmed command to off himself.

Opening scene – And on a minor note, there’s the opening scene where the credits are rolling and NIN song is playing – it’s textbook trance induction technique. The camera is moving backwards very rapidly, winding its way around this way and that through some microscopic world as the music pounds. Many movies feature this trance induction technique through movement and music during the opening credits – winding along, spinning, falling, fast panning, gliding over water – when you start to pay attention you’ll wonder why you never noticed it before. It’s to get you in a slightly hypnotic state, so that whatever comes after that will program you.

“Man, I see in Fight Club the smartest and strongest men who ever lived. I see all this potential, and I see it squandered. Goddammit, an entire generation pumping gas, waiting tables. Slaves with white collars. Advertising has us chasing cars and clothes, working jobs we hate so we can buy shit we don’t need. We’re the middle children of history man, no purpose or place. We have no great war, no great depression. Our great war is a spiritual war. Our great depression is our lives. We’ve all been raised on television to believe that one day we’d all be millionaires and movie gods and rock stars, but we won’t. And we’re slowly learning this fact. And we’re very, very pissed off.”



Eyes Wide Shut – 1999. Tom Cruise, Nicole Kidman.

Dr. Bill Harford (Cruise) and his wife Alice, (Kidman), are well-to-dos who live in New York City. The crux of the movie centers on Alice revealing to Bill one night that she’d had the desire to cheat on him a year before, and would have, if given half the chance. This revelation comes as a shocker to Bill, who just assumed that everything was hunky dory and moving along smoothly in his relationship. It also ruins the image he’d had of his wife as being innocent and blissful. Alice’s revelation sends Bill wandering around the city at night, trying to sort out his thoughts and his anger/confusion. His walkabout results in him crossing paths with unusual people and circumstances, all of which culminates in him winding up at an orgy of the elite at a Gothic mansion that turns out to be more than he bargained for.

Stanley Kubrick basically made a movie about the soulless, empty, rich elite and their occult ritual double lives (usually Satanic) using their programmed multiple personality slaves – and then mysteriously “died” before the movie was finished. The version we’ve all seen is the version that Steven Spielberg helped cobble together in Kubrick’s absence, so who knows how much of what we actually saw is what Kubrick would have actually intended.

This is a brilliant movie in my opinion; it’s visually enjoyable to watch as every scene was meticulously arranged and filmed in a hypnotic and engaging way, and color plays a heavy role in each and every scene. This movie received terrible reviews as being “boring”, but that’s because people didn’t understand that there was an entire sub-theme playing out in the movie. There’s two, even three layers, and double meanings to everything. So if you’re clued in, you’ll be watching an entirely different movie from what the person next to you is watching. The first and most obvious layer being about the theme of fidelity and sexual relations. Another layer has to do with destruction – nearly every side story and/or female that Bill encounters during his “walkabout” ends in tragedy of some sort – even death. The third layer had to do with dream vs. reality. Which leads to the fourth, and most important layer – it’s in my personal opinion that Stanley Kubrick saw the opportunity to use the “dream vs. reality” theme to slip something in regarding the lives of the rich elite, and their sexually exploited, (read: mind controlled) disposable pawns. As explained in the intro. to this section, dream/illusion versus reality is a HUGE factor in programming mind controlled victims, whether they’re used as assassins/agent provocateurs, or sex kittens. What’s real? What’s an illusion? They don’t know, because they’re compartmentalized multiples with alternate personas, living multiple lives….just like what we find in this movie.


Key Elements

Alice – The famous shot of the movie, and a variation of which appears on the movie box cover is of Alice (Nicole Kidman) gazing at her reflection in a mirror, with her eyes wide open and mouth slightly agape, as Tom Cruise kisses her neck. That’s representative of Alice Through the Looking Glass, one of the most prominent mind control themes in use, as previously mentioned.

“Over the Rainbow” / “Open Your Eyes” – During the ball at the beginning, Bill is being spirited away from the party by two women (models) who have obvious plans to seduce him. When he asks “Ladies, where exactly are we going…exactly?” One replies, “Where the rainbow ends.”

“Where the rainbow ends?” he replies.

“Don’t you want to go where the rainbow ends?” she says.

“Well, now that depends where that is…”

It’s said not once, but three times in the dialogue. Where the rainbow ends has a direct connection to the Wizard of Oz – which, along with Alice in Wonderland, is a HUGE mind control theme that’s heavily used. Going “over the rainbow” is all about sex kitten programming. Immediately following that scene Bill is then whisked away upstairs where Ziegler, the host of the party, is putting his pants back on next to an unconscious nude woman who’s supposedly overdosed on a speedball. Bill tries to wake her up with, among other things, “...Can you open your eyes for me?…let me see you open your eyes …” (see the review for Fight Club prior to this for more on the trigger phrase “open your eyes”). Even the title, “Eyes Wide Shut” is related to open your eyes.

Later on in the movie when Bill needs to get a costume to go to the private masquerade party (masks/masquerade, more mind control symbolisms) he goes to a costume shop called… Rainbow Fashions.

The shopkeeper’s daughter – Played by Leelee Sobieski, she’s the underage Lolita temptress scurrying about in her underwear after being caught by her dad cavorting with two very older Japanese men in the back of his costume shop. She’s flirtaciously sashaying about amidst all the costumes and masks, batting eyes at Bill after whispering something provocative in his ear…in the rainbow – over the rainbow, sex kitten programming – costume shop. Every female character in the movie has a slutty whore persona, interestingly enough, but not just regular old whores – there’s the underlying theme of exploitation happening – reinforcing the sex slave “kitten” mind control sub-theme of the movie. The shopkeeper’s daughter is the Lolita version of this. At the end of the movie when Bill revisits the shop to return his costume, he discovers that the “Lolita’s” father is now pimping her out.

The occult ritual orgy – Everything leads up to this moment. Dr. Harford finds himself crashing what he thinks will be just a regular old swanky party, only to find himself at a ritual occult orgy at a private gated Gothic mansion fortress on Long Island. The interior is decked out in red and black, the music is a creepy chanting in reverse Latin, as the ritual leader swings a bowl of incense counterclockwise, surrounded by 12 nearly nude models, (12 around 1, 13 total); Each woman kisses the one next to her, moving counterclockwise around the circle; Nick Nightingale is playing the keyboard blindfolded, and the couples having sex are doing so in a bored, slow, mechanical way, not like something you might see in a porn movie. Those who aren’t having sex are either sitting around completely still, gazing off blankly at nothing, or slowly and mechanically walking around. There’s no life, personality or soul going on anywhere with anyone, which is exactly the point. There’s even a room where people are lifelessly “ballroom dancing” with their masks on to the muzak version of “Strangers in the Night.” I don’t think that scene was supposed to be funny, but to me it was. !

The masks – Everybody walking about the mansion is wearing porcelain harlequin masks. As noted, porcelain mask imagery is a major mind control symbolism, due to the fact that one programming technique involves “Porcelain mask programming.”

The occult ritual with the center circle and the red and black hooded robes is reminiscent of “Carousel” in “Logan’s Run” (reviewed in the “Egyptian Symbolism” section) and the masquerade ball ties into a very similar scene in “Labyrinth.” So many movies tie into other movies, it’s just a matter of putting all the pieces together and seeing the bigger picture.

Dual lives / alternate personas – The participants at the orgy are leading double lives, and nobody out in the “real world” would ever imagine differently.


At the end of the movie, Bill returns home where his wife Alice awakens from a “bad dream” and tearfully relays that the dream involved her being at a party of some sort, having sex with many man, so many that she lost count, while he watched.

This is the clincher of the movie. She’s describing to a T the scene where he just was, but yet, she wasn’t there, and she couldn’t have known…right? Well, not unless she has been there…possibly in the past. And her “dream” is really a past memory. Combine this, with her name Alice – through the looking glass – and the whole split personality, compartmentalized multiple, mind control sex slave sub theme of the movie, and suddenly it all makes sense.


Minor Points of Interest:

“Not a soul” – At the party at the beginning of the movie, as Bill and Alice dance together, she asks him if he knows anybody there. His response: “Not a soul….” A pun implying that everybody there is soulless. Later when Bill has to make a house call to somebody whose father has died, he tells Alice “I have to go over there and show my face.” That was interesting in light of the masquerade orgy later on in the movie where the key was everybody’s hidden faces. There is meaning to much of what seems like bland and pointless dialogue and plot.

On a side note, is there any significance I wonder to the Hungarian stranger who was flirting with Alice, trying to pick her up? Why Hungarian, of all nationalities?

Domino – The prostitute that Bill meets as he roams about the city at night is named Domino. There is coincidentally what’s known as “domino programming” in mind control slaves.

Fidelio – Bill needs a code word to gain access to the occult party, (trigger code word, access closed off areas of the mind). Fidelio is that word, a play on the word fidelity, which is also one of the themes of the movie. This reminded me of the movie Mulholland Drive with “Silencia.”



“Mulholland Drive” – 2001. Naomi Watts, Laura Elena Harring, Justin Thieroux, Ann Miller.

Betty (Watts) is a wide-eyed, fresh faced newbie arrival to Los Angeles with acting aspirations reminiscent of the old Hollywood movie starlets, who happens upon a beautiful woman with amnesia named Rita, (Harring) another throwback to Old Hollywood. Betty makes it her personal mission to help Rita and get to the bottom of retrieving her memories and piecing together what happened to her. All they have to go on are a purse full of money, a mysterious blue key, and Rita’s sole memory that she was in an accident while en route to Mulholland Drive. Side plots interwoven throughout involve the personal woes of movie director Adam Kesher (Thieroux) and an assortment of David Lynch-esqe characters and their strange and mysterious happenings which don’t initially make sense…but which keep your attention sucked in to the end to find out what’s going on.

This movie has been mentioned often enough as being representative of mind control victims that I decided to include it. I own this movie, and was drawn in from the moment I watched it. It’s hypnotic and engaging, and the best David Lynch movie I’ve seen yet. Or as somebody on imdb.com put it, “David Lynch finally succeeded at making a David Lynch movie.”


Key Elements

The mysterious blue key – Keys are a major mind control symbolism, as they represent locked areas / compartments of the mind. All Rita has is her purse full of money and the mysterious blue key. So, what does the key open?

Amnesia – Rita has amnesia, and can’t remember who she is or what she was doing. Could be representative of the compartmentalized multiple’s life. Which leads to…

Alternate personas – Once again we have a major plot twist where it’s revealed that nothing is what it seemed to be and the lead characters are really somebody else. Who we thought we knew as Betty and Rita were just figments of an imagination…alternate personas in a dream world. In the same way that Edward Norton was really Tyler Durden, “Betty” was really Diane Selwyn, and “Rita” was Camilla Rhodes.

Silencia – Betty and Rita are watching an opera where it turns out the lead performer is just lip synching, (illusion, things are not as they seem to be) and there’s an emphasis on the word “Silencia.” Both women mouth it as they’re watching. Something odd when I watched this movie for the very first time – as I watched this scene, I myself also mouthed the word “silencia” a moment before it was said. I already knew it. Maybe I’m just psychic, I don’t know. ;) At any rate, silencia in this case was a trigger word, as things took a turn in the movie right after this scene.

There really isn’t too much else that I can pick out in terms of specific symbolisms relating to mind control. The movie centers around Hollyweird and the land of broken dreams, which is ripe ground for the exploited “MK Ultra”-type stars. Like “Eyes Wide Shut” it’s filmed in a hypnotic and engaging way, with strong use of color, all of which are induction techniques. And again, the main character is living out a dream world in an alternate persona, wondering about the purpose of the mysterious blue key. So whether this movie was intended to be symbolic of a mind controlled victim’s world as some people believe, I don’t know, but I figured I’d throw it in here anyway, what the hell.



The Game – 1997. Michael Douglas, Deborah Kara Unger, Sean Penn.

Probably not coincidentally ;) we have a second David Fincher movie dripping in mind control symbolism. While “Fight Club” was more of a program reinforcer/triggerer, “The Game” seems to have much of the symbolism you’ll find in mind control research – just for the sake of it. I can’t say with certainty what purpose it serves. But it’s still interesting, nonetheless.

For his 48th birthday present, the extremely wealthy and emotionally cold Nicholas Van Orton (Douglas) receives an enigmatic present from his wayward younger brother Conrad (Penn) – an invitation to contact Consumer Recreation Services, known as CRS. It’s to “play a game”, and promises to be the best thing that could ever happen to him. See, you don’t play the game. The game plays you. Initially dismissive, Van Orton later changes his mind, pays CRS a visit, reluctantly partakes in hours worth of paperwork and disclaimers, psychological testing and background checks…and then the fun begins. What is the Game? Like “The Matrix” you can’t be told…you just have to see it for yourself. What’s the purpose of the Game? Like “eXistenZ” you have to play it to find out. Van Orton soon finds himself immersed in the biggest mind f*** he’s ever experienced, and it soon becomes apparent things may no longer be “just a game.”

Half the fun of this movie is not knowing what exactly is going on, and who’s really who, and what’s really what, so for that reason I won’t reveal any spoilers, not even with a “warning!” But I will point out the very obvious mind control symbolisms littered throughout the movie:

The Keys. Van Orton is told by CRS that a big part of the game involves “finding keys” along the way…that will unlock something. He won’t know what until he gets there. But be on the lookout for keys. True to their word, keys do figure prominently throughout the movie, with younger brother Conrad finding an entire glove compartment full of them at one point. Soon after, in an upcoming scene we get…

White Rabbit. – Jefferson Airplane’s classic Alice in Wonderland drug trip tune, “White Rabbit” plays about halfway through the movie, right when things are taking a dark turn. As noted, Alice in Wonderland, reality vs. illusion, etc. is classic in mind control.

“Keep Your Eyes Open” and an alternate version of “Open Your Eyes.” When Van Orton tries to find out what the Game is from another wealthy fat cat who played it, he is told “Do you want to know what it is?” (Just like Morpheus in “The Matrix” – he even leans forward in his chair as he says it.) Then the bible is quoted: John 9:25. “Whereas once I was blind, now I can see.” That’s all he is told. The Game will “open your eyes,” indeed. Later, when he is receiving instruction about the keys and their purpose – via a hijacked financial program on his TV set – he is told ”...so keep your eyes open.” (See “Fight Club”, above, for more on this.) Open your eyes and look for the key. It’s just amazing how many “mind control” movies utilize this phrase, or versions of it, as well as the key symbolism.

In “Alice in Wonderland,” Alice begins her journey by following the white rabbit who’s not happy to have her there, and who’s in quite a hurry to get somewhere. They tumble down the rabbit hole, and so it all begins. In “The Game” we have an alternate version of this – the game officially begins when Van Orton inadvertently causes his waitress to quit. As she storms off, he’s handed a message by a mysterious stranger that simply says, “Don’t Let Her Get Away.” He gets up and runs after her – but she won’t stop. She’s pissed, and tells him to f*** off, so he has to follow along after her at a fast pace, whether she wants him there or not. And that’s the start of it all. From there they find themselves in a stuck elevator – elevators are one main mind control technique – and onto the rest of their adventure.

On imdb.com, it’s mentioned that one of David Fincher’s trademarks is the use of suicide – either an actual suicide, or an attempt. Suicide figures prominently in this movie as well, and many mind control victims are instilled with suicide programming.

What it all means, I don’t know. But the symbolism is clearly there. I just can’t say with certainty how it would be used, or by who. But it is there.



The Butterfly Effect – 2004. Another movie with mind control symbolisms and metaphors would be “The Butterfly Effect”, from 2004, starring Ashton Kutcher. The title alone, with butterfly in it, has two meanings: On the surface, it’s about the chaos theory; the secondary meaning could be representative of “Monarch” mind control programming, supposedly a subdivision of sorts of MK Ultra. And the movie as a whole is supposedly a representation of the traumas inflicted on children when they’re undergoing Monarch programming by their handlers, (being molested / used in porn films, having their pets killed, etc., which are things that are featured in this movie) as well as the after effects of this – turning to prostitution and drugs, alternate personas, black out periods, no sense of time, dying young, etc. This movie is a bit on the heavy side, which surprised people who weren’t expecting a movie like this from someone like Ashton Kutcher, but it’s definitely worth mentioning for its possible double meaning mind-control themes.



Last but not least I want to mention the 2004 movie Eternal Sunshine of the Spotless Mind. Another favorite of mine that we own, it stars Jim Carrey, Kate Winslet, Tom Wilkinson, Kirsten Dunst and Elijah Wood, with a screenplay by the brilliant Charlie Kaufman. Joel (Carrey) and Clementine (Winslet) have just ended their tumultuous relationship, and Clementine impulsively decides to have the entire debacle erased from her memory, courtesy of the memory erasing company, “Lacuna.” Joel signs up to have the same procedure done, but as the memories begin to get wiped out, he realizes that he still loves her…and fights to keep his memories.

The reason I mention this movie in the mind control category is because of one simple line, which made me sit up and take notice. “Meet me at Montauk.” Montauk Point, on Long Island, is notorious for its mind control experimentation and government black ops projects that have gone on at its now defunct military base. In doing the research you’ll uncover books and articles written by those who claim to have been involved, (“The Montauk Boys”) or who have at least dug around and investigated it. “Eternal Sunshine” revolves around a mind altering procedure designed to wipe out memories and create new lives – and in Clementine’s case, even a new “identity”, as she changes her name to Tangerine – and Joel’s last words to Clementine as the final memory of her is erased is the whispered “Meet me at Montauk….”

They do meet up at Montauk, with Joel abandoning his plans to go to work on an impulse in order to catch a train out to the Point, not knowing why he’s doing that. Reminds me of a subconscious mind control command put into place that gives the target a maddening urge to do something that makes no sense. Clementine and Joel cross paths, and even though they no longer consciously remember each other, they’re oddly drawn to each other once again. This also reminds me of mind control targets who’ve been programmed and let loose out into the world, crossing paths with other targets that they know as their “alternate selves”, feeling a strange draw to them, but with no conscious recollection of anything on the surface.

This is an excellent movie, one of my personal faves, and highly recommended!



For further reference:

Operation Open Eyes: Mind Control In Amerika – An Overview of the selection and creation of some government groups’ mind control victims by Gunther Russbacher, who used to be second highest in command in the CIA but who has since had his memory “erased”. He wrote the pieces of what would become this article while in prison and slipped them out to his then-wife Rayellen Allen, who has compiled it and presents it on her website, Rumor Mill News. I find the reference to “open eyes” in light of the realization about the trigger phrase “Open your eyes” to be pretty interesting.

Project Monarch – Ron Patton of Project MK Ultra government sponsored mind control

The Illuminati Formula For Creating a Totally Undetectable Mind Control Slave – Fritz Springmeier and Cisco Wheeler. Hands down the single most detailed and comprehensive source on Illuminati/occult based mind control. Outlines the techniques that are supposedly employed to compartmentalize the mind, how the systems are set up within the mind, what the trigger words and number codes are, (sometimes minus a few words or numbers so as to not trigger programmed people who may be reading) as well as information regarding electronic mind control and implants. It’s like a handbook in a way. Not for the faint of heart. Recommend easing your way into the subject with lighter fare first if you are new to the topic.

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