Music of Superconsciousness!!!

[Captain Beyond]

MUSIC OF SUPERCONSCIOUSNESS & 8 HZ

Our planet beats at 8 cycles per second (8 hz, fundamental Schumann resonance), as the fundamental heart beat of its 70% Silicon Dioxide computer hard disk: the 12 pentagonal tectonic plates.

8 hz is the alpha brain wave rhythm in which our parallel processors, or brain bi-hemispheres, are synchronised to spin together equally.

The neo-cortex of the brain, 90% unassigned becomes awakened in this synchronisation, and one then operates in all brain cell dendrites with the maximum information flow possible on that scale.

"Ordinary" awareness brain waves ranges from 14-40 hz. Here one is operating only in some brain cell dendrites, and predominantly with the left brain as the centre of activity, where information flow is billions of times slighter (like using an old PC 386 compared to a parallel process Pentium III, or an old Mac Performa, compared to a Parallel processing G4).

In other words at 8 hz one is an operating supercomputer, or congressing towards Superconsciousness.

A musical revolution that would induce 8 hz in its beholders and party dancers, could propel mankind into an Omega Revolution, if coordinated correctly with compassionate coherence. This is precisely what the Omega Generation is about. And it is here.

It is often cited that humanity only uses 10% of the brain (for someone like Einstein, who profusely meditated his equations in ecstasies), and Einstein relays in his General Relativity Theory, that were the other 90% to become assigned, e = mc4 would result.

Einstein states that the body would transform into pure energy: the resurrection/ascension of the Gnostic traditions of the west, the Rainbow Body and Diamond Body as it is known to the Tibetan Buddhists and Taoists of the far east.8 hz then is the key to such a potential full Sovereign brain activation. At the least it is a Golden Midway Bridge towards that Omega.

Recent quantum jumps made by Physicists Dr. Roger Penrose and Dr. Hameroff, have compiled evidence and made models to show that our primal consciousness is Virtual, is non-local, is no-thing material, but pure coherent immortal information, right now.

Dr. Andrija Puharich demonstrated in the late 1970s (Proto-Communication II), that 8 hz could not be blocked by any electromagnetic shielding metal or even a triple vacuum. Which implies that it rotates through the Virtual (Everywhere and Everywhen) and quantum non-local hyperspace, constantly. Orthorotating through what the Hermetic Gnostic and Shaman Psychonauts may have attempted to grapple with under the term, loosely appropriated as "Spirit", and the Taoistic Wu Chi.

As we shall explore, professor Puharich also created basic "life" with musical electrolysis of 8 hz. The implications are astounding, when applied in the Omega Generation Revolution of the Universal and Global Song.

[Captain Beyond]

MUSIC OF THE PYRAMIDS

Multiplications of 8 cycles gives one the significant 432 (54 x 8, and 3 x 72). The number 432 is considered sacred in a majority of the major temple complexes of this planet. Forinstance, one side of the Great Pyramid, Egypt, at its sea level foundation, is 432 Earth Units (51.49 cm).

The major Toltec complex of Teotihuacan in Mexico, has its great Pyramid of the Sun with an overall base of 864 STU (Standard Teotihuacan Units) which is twice 432.

STU was the Toltecs measure unit for this site, as their "myths" relay it was taught them by the Shaman Wizard gods from the stars. Each side of this Sun Pyramid is 216 STU, precisely half of 432, and 3 x 72.



The inter-dodecahedron of monatomic palladium, in the new field of Intergeometry which maps superconducting dimensions. Furthermore, a dodecahedron is comprised from 5 cubes tilted at 72° on the Y-axis

THE 72 CONNECTION: & THE SONIC HOLOGRAPHIC MANDALA OF EARTH

These are numbers that our brain and biologies beat and are founded on. We should also realise that 432 is a sixfold multiplication of 72, which and 54 x 8 hz.

The number 72 is a fundamental of our larger time cycle, for our planet's tilted axis is a giant inertia producing gyroscope that rotates 1 degree through the zodiac formation of stars (star patterns by which birds migrate) every 72 years.

Without this unique tilt and precession cycle, the atmospheric conditions of Earth would not have had an atmosphere and its electromagnetic fields that are precisely suitable for life as we know it. This 1° every 72 years is the foundation of life cycles, and resonates in a 9-fold numeral harmonic to our planet's fundamental heart beat of 8 hz (9 x 8 hz = 72).

This furthermore incorporates harmonics of the speed of "spaceship" Earth around the sun, 66,600 MPH, in the sacred golden mean and DNA resonating Druid measure, which become the statute mile -- 66,600 MPH is 8,325 x 8, and 925 x 72.

No wonder that the heart has the least effort for pumping blood to another 7 major endocrine glands, when operating in a rhythm of 72 beats per minute, it beats literally with the hologramme of the planet and the universe -- 72 bpm is the foundation beat of compassionate love.

[Captain Beyond]

MUSIC FROM ARCADIA: RESURRECTING THE SONIC NOVEL ARCHAIC SCIENCE

The archaic Egyptian instruments that have been unearthed, so far, are largely tuned to 432 hz. In ancient Greece (the school book original place for music) their instruments were predominantly tuned at 432 hz.

Within the archaic Greek Eleusenian Mysteries, Orpheus is the god of music, death and rebirth, and was the keeper of the Ambrosia and the music of transformation (his instruments were tuned at 432 hz).

Orpheus had inherited his music and knowledge from his voyage and initiation into the ancient Egyptian Osiris Mysteries, as well as from the Phoenicians, and from the archaic Mesopotamians of the fertile crescent.

Amidst the E.Din between the Euphrates and Tigris rivers, where the Ur Mesopotamian civilisation of Sumeria was centred, the ancient tombs of their Sanga Lugals, or Priest-King Shamans, have revealed their excelled science in the musical arts.

Some of these royal tombs of the children of the historical Adam (Sanga Lugal King Ataba of Kish), are as old as 6000 years, revealing the primal musical roots and enthralment of our species. These tombs' hermetically sealed nature contained perfectly preserved and many intact musical instruments, as well as musical documentation in stone.

Forinstance the "Sham.Ana", which is called a vehicle of Shamanic Star Flight, is at the same time also a ritual drum. These drums are depicted to be utilised in these cultural feastic rites, to induce their shamanic ecstasies and oracular union with the stellar gods the Anaki.

The UR Lyre of Shamanic transformation in Mesopotamia: drink the gra-al "the ambrosia of supreme sublimity", listen and navigate the stars

The shamanic/festivial use of a specific series of drums, trumpets and harps in Sumeria, had them all tuned at 432 hz, and related harmonics of 72 and its decimal 720. These instruments were utilised for pre-Arabic ethnobotanical plant and metal alchemy, which harvested the elixir of divination and divinity.

The "god-kings" utilised these within their sacred circle firestone dance. In the midst of these symphonic circles, they placed a phoenix (sky fire bird) fire stone, which was called the Sham.Mu.

Within the Mesopotamian cylinder seals (of which more than 100,000 such books have been unearthed so far) these "fire stones" are often described to be made out of 'superconducting-like' elements, usually monatomic iridium from meteorite. And from such cultural shamanic royal ceremonies, the seals describe that they opened the door to Anu, or Anuki - the heavens, the universe, for communion.

They had a very sophisticated musical science, that made a double helix (of dragons) from musical fifths and musical fourths, which were considered the sacred harmonics of the gods.

A tetrahedron has 720° of angles to the summation of its planes. A stellated cube, or interlocked tetrahedron (above), hence has 1,440° of angle to the entirety of its planes

Forinstance, their god Il.kur.gar RA/Assr, had the number 720 assigned to him, making a double helix of musical fifths and fourths. This is the precise number of plane angles on the Platonic solid the tetrahedron (12 x 60°). And by this their music and dance was a sacred rite of upliftment, divination, story telling, and healing.

Not only is 720 a decimal multiple of 72, but an interlocked tetrahedron of 2 x 720°, when duplicated 5 times and rotated on the Y-axis by 72°, composes the dodecahedron (see Universal Dances opening animation). The Earth's 12-faces foundation stone, remember, which rotates 1° in its axis every 72 years.

Hence, these proto-Greek roots of music had the sacred tuning of 432 hz, long before the Hellenistic artists musical renaissance. That itself is remarkable, since 432 hz touches the full twelve scale octaval overtones of all music in creation, whereas Bach's 440 hz only touches 8, leaving out an entire section of the complete musical resonance of the universe, which thus remains untouched and unintegrated within the 440 hz music of today. This 8 hz re-pitching of tuning hence makes A UNIVERSE OF DIFFERENCE.

The archaic sophistication of the Sumerian music, is even more remarkable when we remember that the heart beat of planet Earth beats at 8 hz, and 432 hz is a 54 times multiplication of 8 cycles per second, with 720 being a 90 x 8 hz multiplication mirror cascade harmonic image.

The 72 beats, 8 Hz embedding, 144 and 432 multiple geometrical harmonics of creation KI-board

Naturally this Mesopotamian sacred science, descended down into the Babylonian culture, and was absorbed and occulted by the ancient Roman Empire, who also absorbed some of the Greek and Egyptian Mysteries.

For Rome had utilised this sacred measure harmonic series as well, embedded in their measure, where, forinstance, 432 grains were 1 Uncia, which were 144 Unica in their weight measurements. Furthermore, 216 grains (half of 432 and 3 x 72) were 72 Semuncia, and 144 grains were 48 Duella.

But later, when the Roman Empire, which embodied and occulted the esoteric Babylonian priesthood or religion (who had absorbed the sacred measure from the Mesopotamians), also choose to absorb Christianity (in the form of the Roman Catholic Church). Whilst they also chose to hunt down all of the sacred musical rituals which did not come under the Monarchy's dominion and umbrella, reserved for the elite Patership of the Priesthood and cardinals. Often reserved for the Elite's arcane initiation ceremonies beneath the ground, in the subterranean catacombs beneath Rome and St. Peters Square.

The Empire hunted down the Mystery Schools of Eleusius and the Orpheus rites, in the Pharmacratic and Ambient-cratic Inquisitions -- killing all of the Epopti (literally where the word "pope" came from) the priests of the initiations.

The Empire started to outlaw the sacred harmonics, and instruments with the sacred tuning, as the Empire's Pharmacratic inquisition continued in the form of the Roman Catholic Church, or Monarchy. Hunting down and eliminating all of their competition, like the remnant Gnostic and Hermetic cults, which were echoes of the revolutionary Shamanic protocols of the radical Royals known as the Iosus Christos, Joseph of Arimathea, and Mary Magdalen Eucharia, figures.

These Jerusalem royal families had dared to break the caste-based elite rule of secrecy shrouding the Essene Priesthood, by giving away the secret Shamanic Initiation Mysteries to everyone. For the sake of each seekers own sovereign liberation and Gnosis. Achieved through the alchemical ethnobotanical sacraments, or elixir's, which enabled the grail quester to go online to the Word or Logos, directly, without the Empire's corporate interface: the Church. For "the body is a temple", and "the Spirit of Christ was placed in their mouths". (ref: our book "Somagenics: Revealing The Secret Elixir Of The Bible Code & Mystery Schools"; some other perspectives also in "The Mystery Of Manna: The Psychedelic Sacrament Of The Bible", professor Dan Merkur).

[Captain Beyond]

When I get the time, I think I'm gonna tune my keyboards to 432 instead of 440 and see what I get!

CB

[Captain Beyond]

8-FOLD MUSIC OF IN-PHI-NITY & THE TEMPORAL MANDALA

Dolphins can hear our thoughts, because their sonic senses extend into the infrasonic and ultrasonic ranges. So our alpha brain waves, like 8 hz, are music to them. Mankind, in a non-shamanic state, does not hear 8 cycles. But one can make audible its harmonics, such as 72 hz (9 x 8 hz), 144 hz (18 x 8 hz) and 432 hz. And then further synchronise the music in binaural 8 hz, to reawaken us to the orchestra of our thoughts, in the cathedrals of our minds.

Such musical harmonics may also resonate and upload one into a geometrical progression and harmonic to time, which is generally accepted to be the congruence of the amino acid/codon metabolism within the DNA double helix.

"An upload to the entire temporal hologramme by these harmonics?" One may ask. Well, indeed, what is our temporal subscription foundation comprised off? What numbers compose 12 hours? There are 43,200 seconds in our time measurement of 12 hours. This is a precise 432 decimal harmonic (100 x 432), and is also a mirror cascade image pathway for 8 hz, as 5,400 x 8 hz.

[Captain Beyond]

There are many other great wonders that 432 hz phases into. Look at the Buddhist temple of Borobudur, in Java. What is embodied there, like so many of the sacred temples all over the world, almost gives one the impression that history is a computer readout of the Omega Point attractor field at the "end of time", and the temples, sacred sites, stone circles, and pyramids, are the letters of the holographic Omega Point Source Code.

At Borobudur there is a Pyramid of Mt. Meru which encodes our Omega harmonics. Meru is the world and universal mountain created by the Vedic original Germinating god, Manu, as he descended into this universe and planet. Bringing with him S-AUM-A (the plant from which the elixir of immortality is made) and Banana's.

Meru is considered to be the Sonic mandala of creation: the Shri Yantra, likened to a sonic holographic plate that upholds this universe, like a Diamond. Instigated by the living Word AUM.

An interesting Vedic creation "myth", but can a sound made from a series of syllables make a mandalic, or holographic pattern? Dr. Lawrence Blair demonstrated on a tonographer (a sensitised sound plate which vibrates sand to show the wave form pattern of the sound) that the sound AUM, when sung correctly by a Tibetan monk, indeed does make this pattern of the Shri Yantra in the resonated sand. Which itself is astounding and reveals an ancient musical science.

Mt. Meru is the 3 dimensional extrusion of this mandala of 52 triangles (see The Diamond Body). This mandala encodes several fundamental mathematical constants, the constants by which reality is construed.

The Borobudur Meru Pyramid naturally thus would have 72 stupa's, and there are, of course, 432 Buddha statues at this site.

Furthermore, the arrangement of the sets of Stupa's that comprise the 72, arranged as 32-24-16, gives the approximation of their relationship to each other in their musical root harmony symbiosis -- through the significant and banned form of the musical 1/4th, the musical 1/5th and the octave. An astounding Musical Statement embedded within the numbers of creation that they compose, together.

[Captain Beyond]

Music of creation? Indeed, 8 hz is in the Fibonacci number series that nature utilises to duplicate itself (1, 1:1, 2, 2:1, 3, 3:1, 5, 5:3, 8) into petals, or seeds. 16 such steps renders our 144 beats per minute, whereby PHI and Fibonacci cross into symbiosis. Since 144 is 89 x PHI (1.618), the Golden Mean proportion of mirror-into-mirror, pentagon into the next pentagon within the first pentagon's pentagram etc.

Borobudur's Meru Pyramid base platform to the base of its upper stupa courtyard is 0.168 + 1.618, perfect PHI or Golden Mean ratios, in fact the very same ratio's used by the heart cardio rhythm's in compassionate love, or ecstasies (see The Diamond Body).

In the Omega Dances of the Global Song 2012, we will utilise PHI warp harmonic sequences to fractally embody the faster-than-light harmonic domains. As well as the Meru mandala, to be utilised as an algorithm to link multiple concert sites into its 43 fillable triangles, as a mandalic interface for the Global Song.

In this Omega Age, when musical instruments are tuned at 432 cycles per second, no matter how hard the music might be, it will be harmonics that are produced. It will be healthy for the body, tuning the body, vibrating in fractal harmonics with the DNA helix sound matrix of life itself.

Those DNA helixes are musical instruments that are constantly receiving mhz of electricity and the audial currents, which require sound. If that sound is dis-harmonic, a DNA starts to resonate to external disharmonics. Should the external resonating tune sources, in a person of old age that has their DNA viruses resonating to the outside, become harmonic (such as a 432 hz based music, with all of the over- and undertones of 432) -- then the DNA viruses will remember their coherent PHI-like spiral shape and get a form of regeneration, this we have intricately modelled in The Unity Keys Of Emmanuel.

Since 8 hz in DNA replication has been described by Scientific American (March 1965, p 28), to be behaving as a room temperature superconductor, the use of coherent geometrical music would enable such genetic alchemy. This is the regeneration music of Biogenesis.

[Captain Beyond]

We are a modulation of sound. The DNA is pure sound matrix and modulates time. We experience time by the way that the antenna of the DNA goes through its own metabolism. The metabolism, the 64 codons and the permutations of that, 6 x the hexagon of the 64 codons creates 384, which is exactly 384 days for 13 lunar months.

If one keeps multiplying the DNA codons, you come up to 72 billion 250 million years (72,250,000,000), which is actually the actual age of the universe and pre-universe (from the full quantum horizon panorama).

When one takes the complete universe and pre-universe 72 billion 250 million years, and divide it by the DNA 64, and keep dividing the number rendered, by 64, you get all of the registered emanations of reality: the gamma radiation spectrum, x-ray radiation, ultra violet, and the visible spectrum.

As one again divides this by 64, one obtains the infrared spectrum, keep dividing by 64 and one comes all the way down to the Plank Constant (10-35 cm). This is the microcosmic domain where the Swiss CERN particle accelerator will test multiple other dimensions, from 2005 onwards (Scientific American, August 2000).



This exemplifies "As above, so below". Our DNA gives us the holographic experience of the universe. It is as if the DNA is a small fractal of the whole universe and of all time.

At the same time perhaps the entire universe is just a readout of our own DNA. And our DNA is operating through sound, through 64 codons, 8 x 8 (8 hertz, 8 families of elements, 8 nobel gases). 8 cycles per second is what enables the DNA to replicate, divide and have babies, enabling our existence to contemplate such ideas. Or perhaps the above is all a single holographic readout of the Omega Point.

The DNA is only partly activated. At present we use 20 amino acids in the codons of the 64 codon set, plus Methionine for go and no-go (22 taro card amino acids). The DNA sound is life, the DNA sound is time. We can go down to the spectrum of the DNA by PHI (see The Diamond Body, for the Golden Mean structure of the DNA).

Most have come to engender the image that the DNA is some kind of dead laboratory structure, a little crystal, or some boring little thing that the fat bellied physicists draws up and tells one to pay attention to. As very serious business, "because we are living in a bunch of clay universe and here is a little wetness," and one starts yawning as the drynes of the subject tends to make one float upon a dreary lonely sea. That is not at all what the DNA is about.

The DNA is an incredible entity and intelligence. If we were to project our consciousness down to the DNA, we are no longer in a normal universe, but in a quantum universe, and this is really "the Disney Land of the gods", it probably invented Disney and the majority of successful manifestations from our "image-in-nation".

The quantum universe is where there is a landscape of every mythological creature alive that you can imagine, as well as post-imaginary -- the archetypal realms of Dr. C. G. Jung and beyond. The archangels and arch-demons that guard the Tree of Life: the double helix, are running rampant in their vivid and raw rarefied primordial dutiful maintenance of DNA metabolism: the game of DNA-64 chess of life.

The power of the DNA is absolutely enormous. If we were propelled down there, we would be shocked by the raw power that is pumping through its helical highway lattice, and be deafened by the raw sound of its traffic -- that tremendous current of life. So the DNA technology must utilise macrocosmic cascade PHI harmonics of sound, that can enable the 8 hz of Virtual and ancestral DNA consciousness, to interface its microcosmic quantum order in-phase with the PHI vorticity that can enable quantum coherence to upload onto the mechanistic universe.

[circledancer]

I will have to read through this a few times...This is very interesting!
I have used the Delta Sync Sleep System, which uses crafted sound to promote delta sleep.......it is a wonderful thing, This seems like an enourmous step in the direction of unlocking the true human potential!

[Captain Beyond]

You can download a free program called Brainwave Generator and create your own stuff in the form of Binaural beats or tones..All you need is a stereo soundcard, then burn to CD and of course, use headphones!

http://www.bwgen.com/

[fabzilla]

This looks kinda familiar....



Did you get a look at the system of flats and sharps and the equations for calculating a new set of logs for the scales?


The octave is divided into twelve intervals to form the chromatic scale.

Each of these intervals is further divided into 100 cents.

Cents are used to describe small differences in pitch in terms of percentage of a semi tone.


Intervals of pitch are described in terms of the ratios of the frequencies, not absolute difference in frequencies.

An octave interval is always twice, or half the frequency, of the first note.

In the equal tempered scale, the twelve intervals are spread evenly between the octaves.

If the ratio of each semi-tone is the inverse of the twelfth root of two (1.059463), this condition will be met.

The frequency of each note in the scale can be figured by multiplying each successive note by this number to get the next. The frequency of any note can also be figured from:

f(N) = 27.5*2^(N/12)


where N is an index into the chromatic scale notes starting with 0 for A0, the lowest note on the keyboard.

N increases by 1 for each note on the keyboard. Note that the actual key on the keyboard is N + 1.

To find the frequency of a note 12 cents sharp from A4, a value of n = 48.12 would be used. Sometimes it is useful to convert a frequency into N, solving for N:

N(f) = (12/ln(2))*ln(f/27.5)

This formula can be used to determine the note corresponding to a given frequency.

Once N is figured, the integer value closest to it can be looked up.

This equation also tells you the cents error from the corresponding note by taking the difference from it to the closest integer and multiplying by 100.


In case you skiffed over it....




great reading, and very key

[fabzilla]

Everything is magnetic, the cohesion of all matter revolves around magnetism.

Protons and electrons, yada yada...

Miniature poles of sorts, and from there you rework the mathematics and physics and seek the hidden.

So as per say, magnetism applies to everything and from there, do the math.

For example attempt to “decode” some of Bach.

Take a good look at harmonic charts and equations, change your base configuration of 440 to 432, which is more in line to archaeological works, recalculate and see the gematrian values within the scales cascade...

The frequency of each note in the scale can be figured by multiplying each successive note by this number to get the next. The frequency of any note can also be figured from:
f(N) = 27.5*2^(N/12)

14 pitches...

84

Then consider color similar to chakras...

Think about and apply it to music theory and look at the numbers compared to an across the board comparison with perceived light and think "red shift" for a little fun.

And remember much was based on 7 known planets being represented as the 7 note scale.

But as I have eluded, what if the principal involved in the establishment of the equations is based on an error and the lack of a variable?

If so everything would be off by a minor adjustment in the logs used and the integers would be different resulting in a different basis more compatible with fringe archaeological data that the current status quo in numerics still either chooses not to define with clarity or cannot leaving an entirely alternative set of outcomes off the general table of discussion within the realms of possibility.

And if the prior is being implemented over the latter...

Well, say no more.

There may have been components of the system left unconfigured into the equations.

Explanations can be rendered and always appear to be correct but how many times in just recent history have realities and new discoveries completely debunked the line of thought once held to be true?

And if these components are missing and this is so?

Look at the hints and clues left behind by other civilizations that our known system of calculations, proven yet questionable, still cannot definitively define.

Are they just coincidental anomalies?

Or are they overlooked and incomprehensible to a flawed system of equations missing theoretical components?

Think about, put aside the known and delve into the unknown.

Is it really just an "electrical" connection between atoms?

Or is it magnetism between atoms, bipolar charges of north and south aligning and drawing each other together held in place within polarity?

Nothing is as it seems...


some more thoughts...

fab

[Marlantis Buzz]

Nice..............................real nice stuff.